Series ends with the Night King gathering them all to tell him what he wants… He starts to open his mouth… cut to black. End of series. Riots ensue.
Series ends with the Night King gathering them all to tell him what he wants… He starts to open his mouth… cut to black. End of series. Riots ensue.
Or predictable, since I'm sure that's where they're going with this.
I feel like there's an IT joke/SNL sketch somewhere in that typo. (Sorry, couldn't help it)
Some kids might want to go out tonight but not have a stitch to wear. These are the kids who will see this movie.
I don't know. If the Shoplifters of the World Unite and Take Over the ticket sales, it could make a decent showing. But most will just tell their buddy William, It was Really Nothing.
At least he's doing something for the energy industry. What's Trump done?
That's why I think it takes a director with either a new take on the material or a good sense of transferring that energy well.
I don't know. It was "prestige Oscar bait" casting so I can't blame them for that and Julia Roberts wasn't bad. I do blame Streep for two things, though: 1) really overplaying Violet more than I would've liked and 2) influencing both productions I've seen of the show since with actresses falling mimicking her…
Chaos fomenters gotta foment chaos, yo.
I think that comes down to the director. And while I wasn't totally in love with his Hamlet, I think this director brought a distinct style to it that showed he could translate the interactions of a stageplay well to the more intimate nature of framing for film. There are MANY directors who can't do that.
Robbins and the pig is a Blu-Ray "bonus" feature.
Recommendation on "The One I Love:" (as I believe the kids say it these days) yaaaassssssss.
The problem is they move their lips, but nothing comes out other than the aforementioned gibberish. Maybe there's a mode where the lips don't move and a clearer sound comes out a speaker?
Seeing this onstage, I thought it was one of those plays that straddled the line between "possibly better as a movie" and the typical "too static in action to put on film." Recent play-to-screen adaptations have lost a bit of impact on the screen (August: Osage County, for example, despite great performances, has a…
holo-Marshall Mathers might make that a little easier.
Your mom busts in and says "What's that pour?"
Ah, mom. You're just jealous it's a 2012 Napa Cabarnet.
“I’ve gotten burgers out of my system.”
Yeah. Meant that in terms of a show that I passed over, became acclaimed and had to scramble back when I wanted to catch up. Any qualitative comparisons were not the writers' intent and the management apologizes on their behalf.
The baby sleeps in the crib.
Only if George and Gil bring on their college buddy Robert Durst.