Agreed. I'd always hoped for a Harrison Ford version of Scudder, but this could be good. Neeson may be a bit too imposing, never saw Scudder as a big bloke, but it's nothing compared to moving the action to LA and, and, and…

I not sure I thought the album was great, but I liked "Lightbringer" quite a lot (esp the DM remix) and that led me to discover Necro Facility whose album "Wintermute" I rate pretty highly. If you haven't heard it, do yourself a favour and track it down.

mind.in.a.box are almost a genre onto their own, fantastic stuff for anyone that digs complex electronic music - and complex in a different way from say, Aphex Twin.

It's actually a play on German wedding wows in that "Du hast = you have" sounds like "Du hasst = you hate" so at the start of the song the listener isn't sure which is being said.

I still listen to XMTP Drawback and think it was well ahead of it's time and still stands up - especially in the light of what came after it.

I've always thought it sad that Daniel Myer and his projects weren't more popular. I think it's because he was always trying to do something sonically new and interesting and that doesn't translate to popularity. A musician's musician if there ever was one.

100% agree. Definitely a case of the remix being head and shoulders above the original.

It's Slavestate what's got all the beats.

Kathy's Song is Apoptygma Berzerk, not Covenant.

Have you heard Fixmer/McCarthy? Doug McCarthy from NE singing over excellent French electro by Terence Fixmer.

I think like all decent horror films WC2 needs to be looked at in the context of the political and social climate from whence it grew. Australia is, and has for a while, been in the grips of popular and politically led xenophobia to which this film is pretty much a direct reaction.