Designed to be cult movies that don't necessarily find cults seems like a future AV Club column.

Is it weird that I'm kind of excited by the concept of ending the movie just as he meets Johnny Marr, even if I know that means it will be a dull film?

The trailer didn't show anything that suggests the constant hinting at coming out in his lyrics. If anything the focus on his relationship with Linder almost feels like straight washing, but I haven't seen the full movie so what do I know?

His critique of Whedon's speech, mention here is right. I will give him that. But when The Handmaid's Tale series came out he was really into bashing both the series and the novel on twitter, but later revealed that he did not remember Offred's Mother as a character at all. Why trust him a

He does seem to save his harshest criticism for works by or for women doesn't he?

Honestly when I go to invest my time (and occasionally money) in any serialized story telling, I do think of it as an act of trust.

It wast how he makes toast.

I'm a little sad to say this, but the Bush years ruined the show for me, (or me for the show)

Sorkin backlash is definitely part of it (and generally the context in which the opinion comes up) but I still think it's sincerely felt.

I've never seen it, but I've been surprised to lately see more people coming out saying they like the post-Sorkin years more than the ones with him than I knew existed.

I like a lot of Berlanti's work, but there has been a sort of affection towards conservatives since at least Everwood that rubs me the wrong way.

I scrawled through this to see if Puccini for Beginners was brought up so that I could bring up something funny from my experience watching it. It's not, but anyway: In the final scene the lead character is revealed to be telling her story to an old lady on a bench and while watching it I suddenly realized that this…

Thanks for the reading. I mostly thought Elite Squad wasn't for me (which is why I never watched the sequel), but at the same time I liked that it didn't really seem to side with the cops on ideology (That training retreat was torturous), just a vague sympathy towards a problem they had no way of really solving.

I haven't watched any Trek in a really long time, and I remember admiring DS9 a lot, but I rarely watched it. (Realizing the new series is prequel kind of killed my interest. I wanted to see some aftermath about the Dominion war or even the return of Voyager.) I'm generally more enthusiastic about the space operas…

After learning that about Roddenberry (Through Charlie Jane Anders's Brilliant essay on the difference between Star Trek and Star Wars) I began to wonder if the

I never saw 300 but I really would like to discuss Elite Squad and if it was bad for the world. Or at least how much I thought about it with all the panicky reporting about the Olympics in Rio last year.

You must see Jules et Jim and La Notte now. I command it.

I saw it once in college and really liked it. Possibly my favorite adaptation of Le Liasons Dangerouses

So the draft would still be affecting the characters in Grease, though not the actors or the audience . In that way it's been scrubbed from the story.

Born in the 80s & I'm all for politeness and respect of intellect, but my point about Grease was more about how it excises some of the neurosis of the 50's. Like there is brief mention of the Korean War, but only to the extent that one of the girls has a lot of pen pal boyfriends. Nothing about the guys concerns about…