disqusczp0a9an92--disqus
mine82
disqusczp0a9an92--disqus

If the storylines move slow to the point of feeling stagnant, of course at some point episodes will start being full of information to the point of feeling forced and rushed.
I wouldn't know if the narrative of the season was purposely not treated as a priority or how they're handling it just isn't working out all

I haven't missed anything. As elaborate and agreed upon within the fan community explanations about the spirit world of Twin Peaks are, they tend to be inconsequential within the show itself and obliterated by each new incarnation of the universe.

While I think the show has many qualities, the scenes are well crafted and very pragmatic beyond the surface plus McLachlan displayed an astounding range with what he conveyed through the various Coops, the plot is dangerously close to crossing the line between build up and plain stalling.
The show does seem to employ

The scene with Sarah is related to Bobby's in a way. What happened to Laura had a lasting effect on both of them.

I wonder if Dougie will end up being to Coop what Maddie would be to Laura. It would maybe explain why she was suddenly sucked out of the black lodge as maybe she gets to get out because Maddie got in.

I don't even think there's a comedy angle there. He repeats the line call for help and nobody does which put emphasis on how nobody bothers to help a man clearly in some kind of distress. It's kind of an analogy to Laura especially as depicted in FWWM.
The employees at the casino practically see his vulnerability as a

I think it's somehow related to the narrative in Frost's book. I first thought it could be the FBI (or a former agent in the know about project blue rose) similarly to what Briggs was doing around Twin Peaks.

To me it seems as if the wife was an evil doppelganger herself or something similar. Bad Coop's remark to her is provided with some context by his ridiculous attempt at mimicking real Coop in jail with Cole and Albert.

I think that was probably Jeffries but bad Coop didn't understand what he was talking about. I wonder if that was Bowie's voice as it kind of sounded like him but there doesn't seem to be any clues in the credits.
It could have been Jeffries in light of Albert's confession to Cole.

Thanks for the heads up.

I'll just say it's a bitch not to be able to comment the 4 episodes as a whole. I really like how the dots connect as each part goes by. It makes you see the first episode or two in a different light.

Neither the show nor FWWM let Leland of the hook. It even goes so far as to suggest Laura "created" Bob in her imagination as a way to cope with what her father was doing to her and when she sees him as who he is, he kills her telling her he always thought she knew who he was.
I always got the impression that Leland

The site it's not even bad and they don't even explicitly promote the fan oriented aspect of their community as far as i know which is why one can be surprised to realize it can be such a hard core fan space.

The thing is Spoilertv is in practice a fan oriented place. So if they are to be the standard only very positive opinions and reviews are deemed welcome and acceptable. They deal more in praise than actual critique. This is especially true in comment sections. Proclaiming you didn't like an episode under a what did

As Liza Weil from HTGAWM said social media fans are mainly shippers. Same thing goes for Scandal.
It's also why a soap like Empire that treats romantic storylines as an afterthought, despite doing substantially better in the ratings creates relatively little social media/comment section traffic.

Isn't missing the mark when there would be chance to make a statement more a rule than an exception for ABC?

I know Bette said those things about Faye. She does have the reputation of being difficult to work with including on the Mommie Dearest set. That's not the point.
What Feud did most consistently was to show that behind the façade and the venom these people (Joan and Bette especially) have feelings that get hurt and

Ending with such a dark episode was brilliant.

It was one of the most interesting (and lengthy) uses of The End as soundtrack.

I think Bette benefits greatly from having less air time dedicated to her and Susan Sarandon makes fantastic use of that time. The way she delivered the line "I'm a character actress" and how much she communicated with that line is truly amazing. I have a greater appreciation for this kind of subtle acting over the