disquscjed4eoe5i--disqus
AxelPalmer
disquscjed4eoe5i--disqus

I frankly have to agree. Argento got way up his own ass after DEEP RED and his indulgences haven't made his subsequent films (at the least the ones from his "classic" period) hold up very well. Films like Tenebre and Pheonomena have great premises but suffer from things like bizzare tangents from the main plot,

I think only about ten different people tried to take credit on the goalie mask thing.

Damn right! Without the 3-D, Friday part 3 is a goddamn chore to get through.

And then Ryan Phillippe walks on stage and punches her in the face.

Absolutely. I hate to use Robert Rodriguez as an example, but his Mariachi trilogy follows the same template, changing a few a details between installments, but he essentially continues his narrative with the same characters.

Damn right. After seeing AOD in the theatre I left slightly underwhelmed.

Vanderbilt, after this article you can count my steel!

You called it.

Charles just got CHARGED!

Well, gee, hopefully he doesn't get gunned down while reaching in his pocket for the script.

"Is this true?"

So, is this like a threat?

Wanna buy some gold chains?

Give Cass a few years and he could maybe pull of playing TSOK.

Wait, which one likes to say things like "voodoo bullshit"?

Rawwwrrr!

Yes, very reminiscent of Breaking Bad. I suppose some that credit goes to Sam Catlin.

Brain liquefying? What about the time Werner Herzog was shocked to discover Waters was gay?

Comment\username synergy?

You say Natalie Portman not having anything to do with this movie, like it's a bad thing.