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    Tom
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    I love shows that incorporate different languages. Like The Americans with Russian, and this show (and others) with Spanish. Besides, Spanish is basically a second language in the United States, considering the millions and millions of native speakers or bilinguals using it. In the context of this season of American

    I need more of Reggie. His deep manly voice and general buffness is severely underutilized so far.

    Jughead deserves everything good in this world. He's a prince among men.

    Yeah, I read the whole thing cost them north of $100,000 and that they had to use Plexiglas walls or whatnot for safety and, as you mention, the additional hole on the soundstage so they could remove a wall for filming and so on. It all turned out a lot more complicated than what they had envisioned when they wrote

    Now you've gone and made me miss Martha again. Alison Wright always brought it.

    Clearly much more than ten minutes passed, which was neatly shown through them alternating at intervals in terms of who were digging.

    Yes they were. They retconned what year Riggins was in, for instance.

    Kevin is such a scene-stealer, I love him to bits. He's always funny and on point.

    I don't know about that. There's been a lot of inferences made about Margulies' character based on her perceived feud with Panjabi. Since we don't know the full story, I don't much feel like blaming Margulies personally for Lucca's lack of development during her time on The Good Wife. I'm just glad it's better now.

    "The Good Fight’s first episode does more to develop and define [Lucca] than an entire season of The Good Wife ever accomplished. And Jumbo’s performance is brilliant."

    Just caught Lion today and while her role was small, she still knocked me out. She has this naturalistic, effortless air to her that makes her characters feel so real and lived-in. I love it.

    There's a lot to love about this show. Randall (both as a kid and as an adult) gets the strongest material. I also like the flashbacks/past timeline bits a lot in general. But Kate's storyline feels repetitive and directionless and Kevin needs work as a character. There's the potential here for a truly great family

    Man, I knew AV Club had lost most of its best writers to other sites (Vox, Variety et al), but these reviews have been absolutely terrible. Yes, this show is stylish and over the top; it's a Baz Luhrmann show, what did you expect. The best reviewers are generous, provide insight and share thoughts on the ideas a show

    Actions speak louder than words. Moffat has shown how clueless he is in the past and I doubt he's had some magnificent epiphany about diversity. But we shall see.

    I'd let Kit bribe me any day. Though I must say I would probably have asked for something better than simply a confirmation of something as obvious as Jon's revival.

    I love The Good Wife and Kalinda Sharma, but this article's premise is wobbly. This show is among the whitest, most middle class and heterosexual on TV. Kalinda was the exception, but after a couple of good seasons for her, she got stuck in a terrible arc with her husband (one of the worst things the show ever did)

    This miniseries is even better than I hoped it would be. The casting is note-perfect, it looks like a million bucks and it's very compelling. George MacKay was especially delightful in this episode. I knew him from Pride where he played kind of a similar character (innocent, a bit simple, someone you root for) and

    I think Franco is perfect in the role and his chemistry is great with every cast member that he interacts with. I don't see any actor bleed either, really.

    Intense, but brilliant. Sometimes network TV can still really pack a punch.

    Surely this grade must be some kind of error. This is not a B- review, nor was that a B- episode of television. Grades are just grades and all that, but let's not be silly.