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Derpacleese
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I'll keep that in mind as I watch your talk show that hosts a potential president.

The correct '93 answer is Jurassic Park AND I WILL HEAR NO DISAGREEMENT. '82 is tough (and again, props — is props still a thing? I'm fucking old — to Gus Sheridan). ET made me hide behind the couch and cry when I was a kid because it was so effectively emotional, so I suppose I have to go with that…

Neil Young is a true punk rocker

NO THEY DON'T!

There are only two words necessary to explain why 1993 was the best Hollywood year of all time. You've already stated them.

Take it to the Basilica of Saint Denis and let the people decide

Hey everyone!!! Let's comment on an internet article and read the post on this site about how commenting on internet articles matter and pretend like we matter!

Strong article; we as viewers tend not to think about production design and art decoration and how much effort those departments put into film, thanks for putting the spotlight on these crucial elements.

Depends on how you enjoy the playoffs — I will very much enjoy Andy Reid slowly farting before he realizes he probably should have taken a timeout.

DON'T YOU DARE CONDEMN ANYTHING THAT ALLOWS CAGE TO GET A MOVIE MADE!!!!!!!!!

Thank you for your thoughtful response.

I can think of lots of things more fun than painful erections…pleasurable erections, for one. Or skee-ball…

I think he's talking about the Mandela Effect, the theory that there's a dimensional slip experienced by some; the name comes from the idea that there's a good chunk of people who, apparently, vividly remember Nelson Mandela dying in prison. A more recent (and subtle) example can be found in the Berenstain Bears: http

I felt bad for literally blurting out "Oh shit, Batman" but it came out of shock; he seemed honestly amused and took the time to talk to me for a moment. It felt like he just appreciated the chance to talk to someone not involved with White Noise, but maybe that's because he's such a great actor ;) Either way, with

I met Keaton sitting on the street outside of my apartment building in Vancouver while he was shooting White Noise; he was very nice to me (I felt like a dick bothering him, but he was literally sitting outside of my building's entrance and I was all "Holy Batman Batman"), but it was clear he was disinterested in

I think you (and other commenters on this topic) raise an interesting point…I suspect that somewhere along the way there was an assumption on the filmmaker's part that we, the audience, would have enough prior exposure to these characters to know their names. The same works opposite in the case of a Ponda Baba, who's

I think part of the problem of communicating in this venue is that it lends itself to being reductive…I feel like most of what I'm saying is in broad strokes that robs my point of nuance. Either that or I'm an idiot, the jury remains out…

I was just talking last night about comedy sequels that are superior to the originals and both these came up…they're a rare breed