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    "…without them, there wouldn’t be Lucas, Spielberg, Ridley Scott or me…”
    Seems like at least two foruths of that statement is an argument AGAINST SF (or "sci-fi") films. (To be perfectly clear: Ridley Scott is a thumbs up, and Spielberg could fall either way).

    Good f#cking gator-gravy! No WONDER I avoid the "'net" as often as I do. It's FILLED with fat-white, human grubs who get off on "trolling" a man who not only doesn't give a fuck what they think, but doesn't know they exist (so to speak). A circle jerk of balding, pimply-faced crackers whose biggest contribution to

    Just read WAY too many of the comments below (obviously by snarky, fan-boy, wish-they-could've writer-types). No WONDER so many SF, fantasy & horror writers dread going to conventions. Eric Hoffer would run screaming in horror from the internet!

    If you and the other ambulatory pieces of phlegm — "generic poster" and "vajayjay leno" — could read without help, you'd know that Harlan Ellison is attributed with "the story" (also known as the plot, in non-comic lingo) in those Hulk comics; and Roy Thomas did the adaptation, in other words, the dialogue. Which

    While Gwen I. COULD be on the money about her speculations — emphasis on "could", cause there's no way to know short of cornering Diamond and the co-writers — regarding the lyrics of "Love On the Rocks", the one part of her theory that doesn't fit is that Diamond was writing about feeling loved and not loved by the

    Was.
    Was a damn good writer.
    It's been downhill ever since Olympus…then came Drood, with hardly any plot and only one good character…then Black Hills, a gawdawful bit of cowboy-porn and didactic neo-con ranting…then Flashback, the less said about that awful mess, the better. I was hoping he'd turn it around with The