It made me laugh. Isn't it pretty much inarguable that they aren't on the level of a David Bowie or an REM?

So it was all of us that shot Mr. Burns, maaaan.

Lookout Batman there's a Ghostbuster hiding behind the Batmobile!!

Right. I would be worried to hear of Walter appearing next season, because that would seem to imply that they're hitting the gas on the timeline instead of letting it move along at it's established pace.

It's a 4 or 5-way tie for me, but if I MUST choose I would probably go with Gremlins. But Piranha, The 'burbs, Gremlins 2 and Matinee are right there.

Sorry. By all means see it, if for no other reason than to support Dante. He's still solid behind the camera, he just needs (and deserves) better material.

I am a huge Dante fan, but man. Burying the Ex was truly hard to get through. Yelchin and Daddario do what they can, but the script is terrible. By the time Dick Miller makes his requisite cameo it's far too little too late.

Or if Maron had to run the country for a week while Obama interviews Bobcat Goldthwait in a garage.

Yeah, Hitchens had a knack for bringing out the anger in douchebags.

So that's who's been drinking all my horse milk while I'm at work!

$150 a month is a small price to pay when you consider all the perks of cable. For example, I get to participate in my own exploitation as a consumer!

It's my Kentucky Wildcats for me (and the NBA playoffs, to a lesser extent).

I like it.

Is Wayward Pines truly a great show, or is it merely exceptional for current network TV? Same for Hannibal. Is Daredevil actually great viewing, or is it just better than what you'd expect from a Marvel production?

Ahhhh, well that makes more sense. I actually do like the film (big Vincent Cassel fan) but the uber-90's direction and heavy-handedness are grating to me. I'd probably have liked it a whole lot more if I'd seen it when I was an annoying teenager.

Eh? I don't hate it but its still a proto-Guy Ritchie-stylized message film with all the subtlety of an afterschool special.

It's all good, man. There's really nothing realistic about The Fisher King at all, so it worked for me as its own closed movie universe with its own logic. I suppose an argument could be made that the third act would have been more powerful if it were more grounded in reality. I mostly enjoy it for the performances…

"Fucking awful" = concrete critique.

The Fisher King is great.

La Haine could have won the Palme D'Or if the panel was populated with angsty teenagers.