Now THATS a total waste of talent, and arguably a career killer. Naya may be nuts, but she's super talented and Sharon Stone levels of sexiness. She deserves much more than the purgatory of a talk show.

I always thought it was homage to James Saint James, the original club kid and author of Disco Bloodbath/Party Monster.

I'm pretty sure Lea Michele will have a really long career as, at the very least, a big stage star and consistent television one. With the right management and choices, she could be a really big star because THAT VOICE. (I'd love for Kevin McHale to get something great out of this too, because THAT VOICE.). And I cant…

I like his natural hair. Let me put this another way, they could have cropped his hair short instead of greasing it into Archie Comics parody.

Yeah, Veronica Mars did Frozen as well and that scored her a Best Buy holiday commercial.

He already looks like an assistant manager at JC Penny's, so I can't imagine age treating him kindly.

And outside of that first season, where they nailed their weird tonality, has Glee really ever been "good?" I mean, Glee has certainly been more entertaining, but it basically never made sense and vastly swung in quality. Indeed, probably the most unique aspect of Glee is the disparity of quality exists not just as a…

Sue as a character is indicative of how tricky Glee's tone was as a whole, and how tricky it was to pull off. Because 1/2 of Glee is earnest musical and "Up With People" positivity, when Sue goes all Snidely Whiplash, it feels wrong. But the OTHER half of Glee is the bastard child of Heathers and Absolutely Fabulous,…

I want Spenser to tongue punch Roderick's fartbox

Becca Tobin is freakin amazing. The best actors prove their mettle via shit material. As she has.

Becca Tobin, hotness aside, during her character's insanely inconsistent plot lines and personality beats, has easily, EASILY proven herself to be an utterly superb actress. I've believed pretty much every whiplash twist they've thrown at her. Can't wait to see what she does next.

I still think she's basically a boner killer, but I think she's really relaxed as a performer, and she's, at least, radiant for it.

To be fair, that Russel Simmons musical smells like a total flop.

Why? He's not a big star.

Yes. And grease refers to hair product on Criss' poor head. That's a LOT of pomade.

Groff made one pose/move during his number, kind of like a coy crouch, hands on knees, butt out move that totally made me squee, and totally seemed relaxed and natural and real, but totally did nothing to sell the supposed heterosexuality of the character.

I'll buy that EDM fits Madonna. But the "it's like MDMA and that's OK" is pure pandering (and thats a terrific song, although probably not really for Madonna.) Contrast that with Love Spent, which not only reflects Madonna's truth but also uses EDM in new, interesting ways.

That's BS. Madonna's music may have been fun to listen to on drugs, but she actually name checked drugs, at least on her last album, JUST to pander to that audience. And that was sad.

Except that Blackout was fucking amazing.

Vogue is a great song, but it basically rips off (from storyline to dance activity,) what was happening in gay male club culture at the time, while ALSO ripping off house music, then being pioneered in Chicago and the UK. Black Box predates Vogue, yall.