You just described pretty much what Lynch & Badalamenti say in this documentary I watched about the creation of the Twin Peaks score :) Specifically they break down the main theme with its shift from the joyous major chord into the dissonant sequence, then lifting again by the end. The clip is on youtube I'm sure.

Ahhh I do remember that name! I guess I never saw him before the homophobia and such, because I only remember recoiling at the comments.

Here's the full scene with music intact. https://www.youtube.com/wat…

I love when people want to put down something they disagree with by calling it "art school" as if abstract art only happens when one is a student. I guess that's news to a lot of very famous, very important artists lol

Is he a guy who hates Tarkovsky?

People actually sit there on fucking reddit while "watching" tv? What a waste of both activities.

The word is nonchalant. Nonplussed would be a more appropriate reaction to seeing that crazy shit.

Because he had some sort of expiration date, right? He was due to return to the black lodge that day he got in a car accident and arrested.

I guess it's just not for you then, huh?

"star Alden Ehrenreich’s performance—she hired an acting coach for him after seeing initial footage"

I completely disagree, so there's that. The opening thing with Lucy overexplaining how to use the phone was clearly a nod to the first police scene in the entire series, where Lucy slowly and hilariously described specifically which phone the sheriff should answer.

As a big Saga fan, I hope to hell no studio ever tries to adapt it.

It's not a problem if an artist doesn't make his music for you.

HOLY SHEEEIT this is fire.

So basically he's a really well-written teenager.

I need to rewatch!

Also, he very often has actors acting in, how do I put it, a very "artificial" manner. Oftentimes in the same scene as another actor going full-hearted into the role. New Sheriff Truman's wife reminded me of this, although she could have just not been a good actress. But I doubt the jarring disconnect was…

The "Silencio" scene in Mulholland Drive is the most explicit. He shows us the singer, then he shows us how the entire scene was an illusion when she passes out but the music continues. The affect on the audience - in this case the two main characters - is still haunting. This is a recurring theme in his work. Maybe…

Lynch loves to draw attention to the artifice of film, so maybe he was doing that here by seemingly doing the inverse - showing us a man sweeping a floor in real time, with no cuts, no edits, nothing to speed it along. It casts its own spell by breaking us from the rhythm of story, and then boop, that phone rings.

Lost already did that! :D