The fact that they kept her crying completely silent in that scene is one of my favorite choices in the whole episode. It's so much more powerful that we only hear the music and SEE the pain she's going through.

To be fair, Hawk basically said that the map is ever changing and "living", which I interpreted as "This map is only helpful NOW because of what is happening NOW." I feel like those portals and symbols are only active when these happenings all converge at once.

Albert and Gordon know exactly what Diane saw. They're stringing her along because they're suspicious and they know she's been communicating with someone on the outside. They don't know that she's still communicating with Mr. C, but they're definitely suspicious.

I agree. They had already pretty much had that same interaction word for word in a previous episode, so it seemed like he was keeping up the facade of friendly rapport in order to string her along.

Dana Ashbrook's wordless performance in the Roadhouse during the aftermath of Maddy's murder is incredible. He wasn't even supposed to be in that scene but he was on set that day and Lynch had him sit at the bar and react to the sadness, and I'm so glad he did. Between that and Donna's crying breakdown, that scene…

I'm assuming they're divorced. Neither of them wear rings. Plenty of divorced women keep their last names.

I just realized last night that he was Robert Forster's police detective partner in Mulholland Drive, too.

Then in season four, Ryan changes his story to Kelly and claims that Karen asked HIM out six months earlier but he rejected her because he was committed to their relationship. So funny and perfectly Ryan.

Rainn Wilson's inability to get through the "Now, I know what you're thinking: Won't that just shed more light on the penises?" line is my favorite blooper ever

WOO WOO WOO, YOU KNOW IT

Yeah he's been awesome in this show. I know he's become a go to punchline for hack comics but I remember why he was so ubiquitous in the late 80s/early 90s; he's a talented actor and can be a charming SOB.

I took this as an all encompassing statement about the many roles Marlon Brando played in which his character was betrayed unexpectedly. If it's actually about Wally Brando, that would be quite a shock.

Wow, didn't even occur to me that of course that would actually be Moby. That makes perfect sense.

I feel like that was done for effect. That's actually how the studio version of that track sounds. Gives it a slightly "off" vibe which — along with the tremolo effect on the guitars — really fit in with the Lynch/Twin Peaks audio vibe.

Harry Dean Stanton's voice was BEAUTIFUL. I was not expecting that. Carl is fantastic.

I was on the verge of tears in that scene looking at poor pathetic Johnny and hearing his bear. This thing that's supposed to occupy his mind and soothe him, and he has to be tied up and watch his mother get physically assaulted, it was horrifying.

A moshpit on ice sounds like the fucking funniest thing ever. I loved the scenes in Vulgar Video where you see that they actually played THEATERS on that tour, and fans just tore the seats out of the ground in the front section. That must have been madness to witness live.

Sevendust are one of the only bands of that ilk that I still go back and listen to with great fondness. Home is such a great album.

I only saw Pantera twice, both on the Reinventing the Steel tours. First one was Pantera, Soulfly, Nothingface, Morbid Angel, second time was part of the Extreme Steel tour which was Pantera, Slayer, Static-X, Morbid Angel and then some band that Tom Araya's brother was in were the openers, Skrape or something along…

I think mine is a tie between Dave Matthews Band and Slayer. Yes, I'm serious.