Maybe the wigs have dirt on her.

I love the complete lack of explanation for why there’s a mannequin on the bike with him.

He probably has better (read: more expensive) lawyers.

The first one’s an all-timer, but this series is the Platonic ideal of diminishing returns.

Why depict Lucifer, when there’s so many devils running our planet’s biggest companies?

Man, for a second I thought that was a palindrome.

But it’s our job as commenters to complain!

I liked a lot of the craft on display in Babylon, but narratively it felt like it was from like 40 years ago. The lure of stardom, you say? The hollowness of the Hollywood machine, you say? What novelty!

The best thing about The Crow was the soundtrack album.

“what kind of name is ‘Elsbeth’”

Ro-deri-ck. Hmm.

*Rich Evans has entered the chat by crashing through a wall*

Moana, mo’ problems

Or a version with Mario and Luigi:

True, but they’d still hold the copyright on it.

A western version of Waterworld

I like him, but it’s become evident to me that Hollywood will cast exactly one Asian guy at a time to fill the “hey, we need an Asian guy in this movie” role, and then you see that guy show up all the time for several years before they move on to a new one. Before Sanada it was Ken Watanabe, before him it was Chow-Yun…

*Gallic shrug*

*Lorne Balfe punches through straw boater*

Pro tip: No they don’t