This could be a brain glitch on my part, but I can’t figure out what TUAYPCW is.

The Challenger and Columbia were destroyed while in Earth’s atmosphere, so technically it’s still true that no American has ever died in space..

I remember John Dean said he was surprised because he assumed Felt didn’t have enough information to be Deep Throat.

A few years ago I read The FBI Pyramid, which was a book Felt wrote in 1979 about his FBI experience. I was curious about the book because of the knowledge that its author was secretly famous but hardly anyone knew that until 26 years later(in the book he strongly denies being Deep Throat). One thing in the book…

Apollo 13, because it’s my favorite movie and I think it celebrates American hard work and ingenuity in a non-jingoistic manner.

I have trouble picturing Will as a reluctant hero like Neo. He’d be like “Damn right, I’m The One!”

“You know, I could point out that it’s not the future and there isn’t a war, but you know me, I don’t like to complain.”

The Matrix ends with what I remember being a pretty clear invitation to a sequel, so I don’t think people would’ve been satisfied with one movie(also, I like Reloaded).

What would you say are the biggest examples of this phenomenon?

Even if a sequel is worse than the movie it’s a sequel to, that doesn’t mean it’s lowered people’s opinions of its predecessor.

“They will find you unless they think you’re already dead.”

Schitt’s Quest

When has a sequel actually ruined something’s legacy?

I just like the story because of how it inverts the usual “aliens judging us for being violent” dynamic(BTW, it’s only 8 minutes long and it’s on YouTube).

Have you seen the ‘80s Twilight Zone story “A Small Talent for War”?

I’ve heard Fallon is known for being a nice guy in real life, so I don’t see how a lack of likeability is one of his problems.

How is the late ‘80s a different thing?

One thing I think is different about the ‘80s than the two preceding decades was that it became recognizably itself faster. When we think of the ‘60s or ‘70s we tend to think of the latter part of the decade, but I think except for the brief transition period Freaks and Geeks took place in, the ‘80s became recognizably…

I actually thought one of Fringe’s biggest strengths was its ability to do standalone episodes in the midst of long-term arcs that could’ve derailed any possibility for episodic storytelling.

What I liked about him as a villain is he seemed genuinely indifferent to other people hating him, which is what I think Trump badly wants other people to think.