dinoironbody
Dino Ironbody
dinoironbody

"Bender, is that thou?"

I think his Robin Williams is absolutely uncanny.

Pretty amazing how much of a wasteland NBC's lineup was before Brandon Tartikoff took over.

"The one who complained or the one who got killed off?"

That was Jay Thomas, who played her husband Eddie.

Ever since it was revealed he was Deep Throat, I always thought Mark Felt looked like one of those creepy FBI guys from The X-Files.

Maybe so, but if they release the show one ep at a time you could still wait 'til the season's over and watch 'em all then.

Colbert seems to me like a guy who's not desperate to be loved.

I guess, but I was hoping I'd be able to watch it each week like when I was a kid. Oh well, guess I need to come to grips with the fact that my childhood is over.

That would be a good deal money-wise, but I think it would kinda suck to make them all available at once instead of releasing them one at a time. I mean, they're not going to be making them all at once, so why wait months before making them all available when you could release them each after they're made?

AV Clubbers' attitudes toward the reboot movies make me appreciate this even more:

For those of you who've seen Dr. Strangelove(possibly my favorite movie): It might seem unrealistic that a real life general would be as cavalier about the idea of killing millions of people in the name of winning the Cold War as Turgidson is in the movie. If you think so, consider this quote from General Thomas S.

The idea of Kubrick taking that attitude towards Jack seems pretty hypocritical to me given how he treated the actors during filming. In fact, I read that when King met Kubrick during filming, he thought Kubrick exhibited the same kind of pathology he warned against in the book.

Even though I'm not a big King fan and consider Dr. Strangelove and 2001 to be possibly my two favorite movies, I'm kinda tired of the whole "Kubrick's an artist, King's a hack" stuff. Reminds me of a passage in Misery where the author of the Misery books realizes that his attempts at "high art" were forced and there

I read someone say that in the book, the monster is Jack, but in the movie, the monster is Kubrick(rather appropriate if you know how Kubrick treated the actors during filming). The point being, as King himself has said, that his story is about his characters' choices, whereas in the movie the characters are all

As much as I idolize Jon Stewart, I'm tired of him and other Mets fans talking like they've suffered a whole lot. I think the reason people make the Mets out to be this really long-suffering team is because a) the extra publicity that comes with playing in NYC, and b) always being compared to the Yankees. Compared

I hope they get Liev Schrieber to host just so they can have a bumper that says SATURDAY NIGHT LIEV.

I like to imagine that the Harvard Lampoon is a bunch of guys with elbow patches and pipes responding to each other's ideas with: "I say, what a witty quip! That one will be in the next edition or my name isn't Thaddeus R. Preppington!"

It's been a while since I've seen it, but I don't remember it that way so you might need to explain why you think it was predicting the future. It seemed to me like it was giving random yes/no answers that Shatner's character(and the couple at the end) was interpreting as predicting the future rather than

Since I don't have the patience to wait for a thread where it's more on-topic, I thought I'd mention that I recently watched all of Home Movies, and when I saw Jason as evil Picasso I knew I'd seen it somewhere before.