The first season of the Bear has some great musical cuts, and the recent prestige streamers or HBO shows have great scores (GOT/Mandalorian) and/or scores and covers (Westworld)

Joyce (Winona Ryder, still not getting the meaty material she deserves)

Yellowjackets got me is the best hands down.

Why even say this? It’s not like you’ve watched every show to air in the last 20/30 years so you gotta know there are plenty fair arguments against this.

Well the sword was from when they sent the prisoners in the arena with weapons to battle the demigorgon.

Sort of a different beat, but Scrubs used music exceptionally well.

The Americans used music better.

I’ve created an account just to agree with you with every fibre of my being. When people excuse Jurassic World as being: “Just dumb fun with dinosaurs!” I weep. The first one was ALSO dumb fun with dinosaurs, but it fucking worked as a film as well. It is possible to be both!

Kaiju movies with dinosaurs. That’s what subsequent Jurassic Park movies needed to be. Tyrannosaurs fucking up big cities, people being hunted by raptors in subway stations. I am amazed that this has hardly been done in this franchise, and even when it has been done it’s been barely an afterthought.

Two observations:

So many thoughts on this. Sorry everyone, this is my second effortpost on how much I hate this franchise (specifically JW) in week. I promise I’ll stop after this.

Coming soon: Paleozoic Park. A thrilling trilogy in which Chris Pratt must save humanity from being mildly inconvenienced by genetically engineered trilobites.

Aside from the first one they all kind of blur together. I do remember after JP2 realizing for the first time that when ostensibly intelligent characters do uncharacteristically stupid shit for no reason, it’s because the filmmakers fucked up in some way.

Wasn’t Dr. Sattler married to some guy in JP3? Did that not work out and now they’re trying to shoehorn in romance with Dr. Grant?

“The old speak (and collect a paycheck)! Theaters are showing a new film, an UNNECESSARY SEQUEL with anvils of nostalgia from DR. ALAN GRANT and vapid charm from WHOEVER CHRIS PRATT IS PLAYING.

THIS should be a property that gets resurrected 

Jesus Christ this movie sounds like a mess.

I forget, is it D+ or D- that’s considered “The Gentleman’s F?”