If our era's equivalent of lynching really is expressing an opinion supporting one side in an ongoing court case, we're a pretty fucking great era.

"Swine? Where?" - David Cameron, suddenly excited

Likewise Wilco's Yankee Hotel Foxtrot, scheduled for release before 9/11 but released after. 'War On War', 'Ashes of American Flags', the two towers on the cover…

Haven't had time to check the comments, guys - has anyone referenced either REM or Emma Stone? Really? That many, huh? OK, I'll go home.

Your post history is public. It's not like anyone doesn't know you're a neo-Nazi.

Strange, you don't strike me as the kind of guy who'd have an objection to the German language.

"coming from a name titled…" and the post goes on to call someone else stupid.

HOT

You can't criticise another movie for useless infodumping then defend the Wachowskis. They are the rulers of the territory of useless infodumping. I would not be at all surprised if they saw every other aspect of cinema - action scenes, character beats, everything - as mere filler to put in between those sweet,…

"Twitter mob", which is how newspapers say "more than three people disagreeing with one of our hack columnists".

Proves the point, surely? The Magnificent Ambersons in its current form is still an excellent, although compromised, film. Fantastic Four maybe wasn't improved by the studio meddling, but I'm willing to bet some of its problems went to the roots, particularly since some of the reshooting appears to have involved…

It really lives up to everything you could hope of it. It's like a Charlie Kaufman TV series, with one of the all-time great TV lead performances from Michael Gambon.

We haven't seen how the film deals with Hillary yet…

Old superheroes never die, they just get rebooted.

I also struggled to understand why people were killed in Whiplash and Birdman, largely because nobody was killed in Whiplash and Birdman.

This idea that the AV Club is some sort of weird outlier in hating Mumford and Sons and Robin Thicke is hilarious.

Given how he died, it looks like a case of fate giving head, and fate taketh it away.

Nobody, but nobody, is saying the DC films are so dark we can't handle all the darkness. We're laughing at the fact that they're aiming for that reaction, despite making a movie that features a character who is called Captain Boomerang.

Comparing the violence in the film and comic of Watchmen is deeply interesting. The comic might actually be more violent in terms of quantity of gore, but only the film feels like it's getting off on it.

Somewhere between James Joyce and horse ebooks.