“When it becomes mainstream to have major female characters and women directors and stuff....”

That’s *literally* the point of supporting them in the first place. We absolutely deserve to get to a point where there can be a mediocre film starring a woman, directed by a woman, and written by a woman. It should be bland…

Probably when he held women in a hotel room against their will and jerked his cock in front of them.

To the crybaby in the greys: I think treating this piece of shit like meat is funny. 

The answer to all that and more re: Louis CK is “because he could”. Which is why this heckle was so great. He doesn’t give a fuck if you ask him how he could put people in a situation.

And the box! It’s bigger! On the inside?!

“The obsession with Buddy Rich is really just a symptom of a larger problem in Whiplash, which is that it’s not really a movie about jazz. The film simply uses jazz as a vehicle to tell a story about ambition and the willingness to do what it takes to be great.”

Then....it’s not really a problem? If the movie is not…

Well that was fucking adorable.

If you read it your way, the final season has 2 fantasy scenes with both the island and the flash sideways world not being “real”.

The accepted plot is that the bomb goes off and pulls the people from the 70s back to the island. The flash sideways takes place at various points in each characters’ future. The flash…

“The end of the show comes around, and while they apparently did not die in the crash, they all die in a nuclear detonation. And end up in purgatory.”

Tahani was wearing the green cargo pants from one of the reboots when she got to the monastery.

Oh. You’re just gatekeeping. Gotcha.

Why would you sigh? 

Malört is a ponzi scheme. As soon as you try it, you develop the overwhelming need to make sure everyone else tries it, too.

Hey, this is totally not true, but that’s not what I want to say.

My dude, you’ve already clicked. What the hell are you talking about?

There’s always a silk dress truther.

My favorite part of this beat is that the cadence drops away. The lyricism of Milch’s writing disappears as the guy scrambles to cover for the fact that he just proposed boning Hearst.

You obviously haven’t seen the Napoleon Dynamite cartoon, otherwise you would’ve mentioned how different it was from the movie

People who aren’t shitheaps.