I mean, I think the worst thing Luke Smith’s ever said was “don’t be jerks”.

#Gamers act entitled and spoilt, more news at 11.

They fridged off Elizabeth, this wonderful, tragic, beautiful character to fuel the narrative of Jack, a faceless, personality-less pair of hands who might go on to massacre the Little Sisters that Elizabeth sacrificed herself for.

I mean, isn’t his whole stick that he’s being manipulated by Talon?

To be fair, most of the inmates at Mount Massive are fairly passive if not downright tame, and everyone is a victim of the big bad corporation.

I mean, isn’t Sigma’s whole shtick that Talon’s manipulating him, not that he’s inherently evil?

What about Super Mario Odyssey?

Ubisoft’s games have been plenty political (Watch_Dogs, Assassin’s Creed, Far Cry 4, etc.), so I don’t know where their reputation as being indecisive or “cowards” came from.

When people say “games are art”, they don’t mean that all game are art. Sometimes, atory is just a story.

“Don’t talk to me ever.”

Mortal Kombat is fine. The violence is so over the top as to basically be a bunch of gory Loony Tunes skits.

Who doesn’t make light of Nazis?

Another of my favourites is his exchange with Doctor Erskein.

Eh, I’d still disagree with that.

Seriously, why does EA insist on their games needing the Frostbite engine? You don’t see SEGA forcing Yakuza or Persona or whatever to use the Hedgehog Engine.

As someone who isn’t American, I surprisingly really, really liked Assassin’s Creed III (and the setting).

Quick question: is this pure, full-on sci-fi/horror, or does this cover a wide variety of genres like the original? One of my favourite thing about the original that I feel gets lost in subsequent retellings and similar anthologies (like Black Mirror) is that The Twilight Zone could encompass a huge variety of genres,…

Wait, they got rid of Boots and Tico? How?

Dad of Light is a half-Machinima half-live action show about a son anonymously trying to reconnect with his estranged and distant father through Final Fantasy XIV.

Why, might I ask?