Yeah idk what part of that was definitive. I guess because the group split up but clearly they were setting up those stories to be told. 

It felt like a definitive ending? The season 3 finale left a lot of hanging threads. I’m thrilled it’s coming back; ending a show without giving the creators a chance to wrap things up is lame.

Forget it, Jake; it’s Florida Woman.

Yo - where’s Bojack? 

not to mention know all about that archives security guard’s whole past about her missing sister, even her name, is more than just ‘a lucky guess’.

Throughout Hateful Eight, I couldn’t stop thinking, “Sally wouldn’t have allowed this.”

Same with Pulp Fiction.

If you ask me, the most deserved Oscar is Verna Fields’ for editing Jaws.

yeah, i feel that. especially the subset (i hope its a subset, anyway) that goes to those movies to see their ideal vision of masculinity. it’s a real bummer, imo, because problematic leads can make such great movies but the anti-hero worshipping bullshit that goes with all that is inexcusable 

oh absolutely! i just thought that your mention of Oswalt’s bit in this context was a funny coincidence.

Not that one movie (or even one director/editor pair) detracts from your point but the big bad too long movie in this article (the Irishman) is edited by Thelma Schoonmaker, Scorsese’s tough-as-nails longtime editor.

or in the case of marcia lucas made an actual film out of a couple hours of incomprehensible nonsense

lol all men, I’m sure

The real highs are the stakes we made along the way.

If seven-year-old me could live through this trailer, kids today can withstand a goddamn It poster.

Nice try Texas. But the Florida Whataburger had a muskrat.

I have a photocopied advanced engineering degree. I can code the living fuck out of a signal analysis AI scheme and use fuzzy Dunlop logic to determine whether the dogs are too loud for human health. Bidding starts at $40,000, the project will take 8 months, conclusions are guaranteed to agree with whoever's paid me 

If contry matters are good enough for Shakespeare, they're good enough for me.

I think this dark and gritty reboot of Hamburger Helper is gonna do just fine.

I do really like how the mask’s mouth opens right at the end, as if to scream in agony.