You’re singling out one storyline and blaming it for a problem that affected the entire industry at the time. Yes, Death of Superman was partially aimed at the speculator’s market, but so was EVERY OTHER COMIC BOOK published in 1993. Speculation was too big a market for the industry to ignore at that point, and nearly…

I think the last Rambo movie was spectacular.  The best since the first.  And a good place to stop. 

“Big Trouble in Little China” for completely different reasons. It's like having a beer with John Carpenter and Jack Burton. So like these Schwarzenegger ones, but good.

You know how you can tell this is a William Hughes article? He buries the actual reason for writing the article by bringing up mounds of completely unrelated bullshit so that you know he really doesn't like Tarantino and that you shouldn't either. What a load of shit.

I know we like to talk a lot of shit here and I’m as guilty as anyone, but it’s easy to forget that being religious and conservative and being generally nice are not necessarily mutually exclusive.

Cameron would certainly be within his rights to draw inspiration from Ellison’s Outer Limits episodes, the same way writers do riffs on It’s a Wonderful Life or pay homage to The Godfather or what have you.

I got to ask the cast about whether Flaming Carrot had a cameo at Wizard World. They gave me a free t-shirt & CD. I was so disappointed this movie wasn’t successful upon its release. It feels like it was too far ahead of its time for general audiences because the superhero team movie hadn’t really happened yet.

I never thought I’d see a Bob Burden comic adapted into a film. Just a shame we’re probably never going to get a Flaming Carrot movie.

It feels weird when people list Rob as the creator of Deadpool in stuff like this, because while technically true, his take on the character was basically just Spider-man mixed with DC’s Deathstroke, so his opinions on the character basically amount to nothing since it was guys like Fabian Nicieza and Joe Kelly who…

Actually their album after that, “Great Southern Trendkill,” sold a million copies in 1996. They didn’t fall off the radar until after their last album, “Reinventing The Steel”, came out in 2000.

I’d prefer if any Clive Barker movie got turned into a series it would be Candyman but the Director’s Cut of Nightbreed is a legit good movie.  

Mathew Vaugn announced a reboot, I guess he backtracked and meant prequel and sequel. (A prequel would be impossible, that’s just silly.)

Different times. Running concurrently with TNG and then Voyager allowed DS9 to exist in a world where the major Federation ideals were represented in full elsewhere. This gave DS9 a chance to peak into the shadows and explore the edges of those ideals, specifically in the situation of a long drawn-out war. It earned…

Perhaps it’s the show’s obvious shame and self-loathing at all the things that people like about Star Trek? That’s what it is for me.

My biggest takeaway from this article is that Rachel Bloom is married, which, ouch. Not that I ever had chance with her in the first place, but still.

It would have been awesome if they’d gotten Genevieve Bujold.

He deserves it. He has produced an amazing run of shows that are watchable for all ages and genders. He has done for TV what Marvel did for movies.

Ghost released Prequelle today. Everything else can wait. Mmmm riffs.

Dude, new Ghost album in just two days.

The picture where he’s being disrespectful but not actually touching her?