“even when she was (unbeknownst to the public) not technically his wife.” — Isn’t the whole point that they’re still married? I don’t recall if they’re legally separated but if they are, she’s still “technically his wife.” (Unless we’re using some BS definition of “technically.”)

Williams supposedly put a line in his will specifically preventing Disney from reusing outtakes from his Aladdin recording sessions for new movies featuring the Genie.

I know it’s becoming the norm, but this feels fairly disingenuous.

Let’s go with occams razor that FF7 is almost 26 years old and not everyone obsessively replays or mentally catalogues every single detail about it.

Elon started off as this generation’s Henry Ford, and unfortunately continued to become this generation’s Henry Ford.

It’s a real mystery.

Yes, when I have a flat tire, it’s always with a pre-production car that I abandon and cover with a tarp.

Explain to me how a new show featuring the same actor playing the same character as the original, continuing in the same universe and continuing the story from the original, is a REBOOT.

Willing to bet it’s Redeemer.

I agree with Lee, and also think Grave of the Fireflies should have had a few minutes devoted to what Oppenheimer was up to.

Plus, the game was an unknown gamble back then, too. The video game voice acing ‘industry’ was in its infancy. CD based games with the ability to have full voiced characters was less than 4 years old since the PS1 came out in 1994 and MGS was in development starting in 1995 with release in 1998. Previously, any…

Changing from Openly racist behaviors and even changing perspective is a radically different thing that openly working towards equity and antiracism.

I think it comes down to what has a white person used their privilege or opportunities for once they’ve realized that their prior attitude was racist or wrong.

16, on…

Evil is the best, I love it. It not only takes some genuinely hilarious and big swings, it feels like it’s having a whale of a time doing it. 

i mean even ‘legacy sequel’ as-is sounds better and explains what it is.

Better than “requels” like the people currently behind Scream seem to think is an actual term that a single person on Earth has ever used.

It’s tough, because I assume the multimedia spectacle costs enough that you have to do X number of shows to make your money back. The Killers would be an obvious choice, but I don’t know if they could do 50 shows, or whatever.

It could be that they’re all just regular stormtroopers in janky armor, but that’s the least likely—and least interesting—explanation.

Hey, Pom. I’m Aussie, not a Seppo.

To this day I still don’t quite understand why people think buying the odd studio and the odd bit of exclusivity is the same thing as buying one of the worlds leading publishers that contains 10s of studios and one of the biggest media properties within it.

I’ve said before, I’ll say it again: