I think the point is that “the devastating second Shadow War seen in the show’s fifth season” as claimed in the article is incorrect.

Hell, I realised as a kid that my parents were better off apart. They got into a lot of arguments, but to my knowledge it never became violent or anything. I was maybe 12 or 13 when they divorced. My life and theirs and my relationship with each of them was better for it.

The movie stands alone fine, and doesn’t need a sequel.

Ice Man “coming out” as a mutant as well. Although that’s a little different since he is a queer character in the comic as well.

It’s always been theorised because her costume design is strongly built around the white, pink, and blue of the trans flag. The ballet pumps in particular are quite an odd design choice if that’s coincidental.

WALL-E has a stunning opening sequence, but for me it nosedives the second they get off of Earth. It’s the same with Up: the opening is a masterpiece, but I just don’t care about any of what follows.

I enjoyed it on the whole — not amazing, the story was pretty much by the numbers, but the action was nicely brutal and much better staged than most Hollywood productions (for the most part).

Do you think he’ll return the favour, by making this a Batman film that’s mainly interested in bringing back every Flash variant it can get its hands on?

Sure... if you completely ignore intent.

Are they transforming into Russell Brand?

Part of the problem is that 1) it’s extremely easy to say “Well, X has never been that way with me” and 2) the kind of person who HAS been “that way” with others is often “that way” with others because those others are not part of their in-group.

I put it down as a big reason why the MCU has been so successful too. Not that it was perfect, but actual teases for future stories were few and far between and largely kept to post-credit scenes all the way through to Endgame, with each individual entry primarily focused on introducing and resolving its own story.

dupe.

Hell, I would advocate ending every season of every show that way. It’s not gonna be an option for every story (although it was for every single season of Arrowverse content), but at least make an effort to leave each season in as satisfying a place as possible. Cliffhangers are always horrible and should be avoided in…

There may be, but as a creator, wouldn’t you fight to not risk your legacy ending on a pointlessly frustrating cliffhanger? It’s a Superman show, FFS, there’s 85 years of source material to draw on if they do get another year — it’s really not gonna be a problem if they wrap up their current plotlines and give this…

As for the free DLC’s, yeah, that’s nice. I’m sure that had nothing to do with trying to save face for the fact that CD Projeckt Red released a broken pile of shit for the overwhelming portion of consumers.

Hasn’t All-Star Superman already been announced as the main touchpoint of the film? I wouldn’t expect The Authority to be the primary antagonists, just a short chapter within that story that contrasts them against Superman and introduces them ready for their own film.

Agreed. The reassessment of Bay’s first Transformers film as pretty good actually is weird, because it’s really not good at all. It might not be quite as awful as the others, but that’s a very low bar to clear and leaves it a long, long way from “good”.

The way they achieved it in the comics was pretty simple — completely neuter The Authority. They basically kept Midnighter (and sometimes Apollo) and tossed pretty much everything else, because apparently the only thing the DC universe could make use of was another Batman running around.

Robert Kirkman (creator of The Walking Dead and Invincible) has a new comic book series launching next week called Void Rivals. He’s been pretty secretive on what the book is actually about, beyond announcing that it features “an ALL-NEW SHARED UNIVERSE” (their caps, not mine).