So basically, four and a half years after he left Mojang, they felt the time was right for his vanity messages to be removed (which downplay all the work that everyone else has done both alongside him and since he left), but kept his credit in the appropriate place.

Care to explain how Fear and Loathing in Las Vegas ran into the same problems despite also being based on an existing property then? Not only did the WGA refuse to rescind the original scriptwriters’ credit, but they didn’t want to give Gilliam & Grisoni any credit at all. The fact that it was based on an existing…

Huh? I wasn’t trying to insult you. I didn’t even take it as a given that you personally held that opinion, as opposed to just relating it as an opinion that is held by some people (you said “People have two beefs...”, not “I have two beefs...”).

“For example, it took Arya a season and a half to travel from the hollow hill to Riverrun to Saltpans, but now characters are crossing entire kingdoms within a single episode.”

More accurately, the southern half of Westeros is Ireland upside-down, with Dorne jutting out of what was Northern Ireland. The northern half doesn’t map to Britain especially well (there are some similarities, but if it was the basis, it’s had a lot more transformation), aside from the/Hadrian’s Wall.

Uh, yeah you do. Upload and download bandwidth are usually separate. That’s how your ISP sells you download speeds that are radically faster than your upload speeds.

“being just able to stream 1080 video is not nearly enough”

Not only were they well within their rights to deny the shaving, but in my opinion Paramount actually deserve credit for giving us the one-two punch of Moustache-gate and Mission: Impossible - Fallout, both of which were far more entertaining than Justice League.

Because they feel like they should recognise a film for having the most* editing (especially when it makes a crazy amount of money like Bohemian Rhapsody did)?

I think it is actually. The final nominees for most awards are selected by Academy members in that specific field, then the winner is selected by a wide vote.

I’ll just carry on using the widely accepted one, thanks.

No, censorship is not being allowed to show something, it isn’t choosing not to show it. And until we see something official stating otherwise, the evidence suggests this is a choice, and that we’re more likely to have the lens flare patched into the versions where it’s missing than patched out of the versions where…

The “excuse” is that, based on the fact that another scene is “censored” for everyone in exactly the same way, the western PS4 version is quite likely to be the true version.

That seems like a step too far. It’s common for artists to be primarily associated with a specific genre. I mean, do you have a problem with Dolly Parton being classified as a “country singer”?

So you could provide quotes from her, in context, that show her being racist and/or sexist?

I never understand the attitude of victims’ families as presented in the Lee’s letter. I’d like to think that if someone I was close to was murdered, I’d want to be as close to certain as possible that they catch the right person. But invariably, when they speak up in situations like this, they’re more interested in…

You’re presenting this as if that’s an inherently bad thing. Being able to handle process memory beyond the capacity of physical memory is the whole point of paging.

Temple of Doom was the cartoonish misrepresentations of Hinduism and India, I think you meant Raiders of the Lost Ark.

Alternative take, Idris Elba would make a cool Bond, and they should not give two shits about him being too old for sequels.

Exactly. In the MCU set up basically consists of “this thing/character exists”, and the movie where it/they take centre stage is where all the heavy lifting is done. Infinity War/Endgame will perhaps prove to be the exception, but that’s movies 19 and 22 (and they were made back-to-back).