ddepas1
Forty Six & 2
ddepas1

Also, I can’t wait to find out that this is basically the prequel to the entire Kingdom Hearts franchise, before the world was split apart by darkness or whatever.

In Animal Crossing, you basically had one island to play with. So, since it was my wife’s game, it was her island and I was just a resident. Is there a similar situation going on here or can we each play a separate save on the same game?

You ever see somebody and just know?

I’m having a hard time coming up with anything TFA set up that TLJ didn’t acknowledge. Rey’s parents are nobodies. Snoke was in Kylo’s way. Luke was in self-imposed exile. The Resistance is in shambles.

I just don’t understand how, even if you didn’t have a plan for the whole thing, you spend a significant portion of XI undoing VIII instead of just... carrying on with the setup you were given.

Both points can be, and in this case, are true.

My only question is if this is what Otto Hightower wanted from the beginning?

I find it so odd that a new iteration of an existing IP has to justify its existence relative to its predecessors. Like, we’re all in agreement that the universes of stuff like LotR or Star Wars are deep and interesting enough that not every story has to tie to Frodo Baggins or Luke Skywalker, right?

It’s hard to say this after only viewing the first episode, but my general impression is that the show seems like it’s being made by people who really appreciated GoT at its peak, so I’m all in.

Is it just me or is it significantly harder to close a game or turn off a PS5 than it was on a PS4?

I attend quite a few tradeshows in my line of work and, from my experience within the past 12 months or so, even “unrestricted” conferences are seeing decreased attendance because a portion of their base still feels uncomfortable attending an event of its size.

I’ll admit that accessibility wasn’t something that I’d considered and there’s definitely merit in making a good game playable for more people.

They’ve done so well with Stranger Things that I’d really like to see them get more work. Hell, give them a Star Wars.

Falcon: A Star Wars Story

Seeing him was fine. Hearing him speak was the problem.

Also, when you extensively rewrite and reshoot your movie, it’s on you. I don’t feel like it’s fair to say it bombed when they basically made two movies and only showed one.

Yea, I don’t get it either. But, you know who does get it? The anime studios that they hired to do Visions. Those people understood the assignment.

I mean, it’s not like this does anything to reimburse anyone for their stolen property. Give them a new salvage title and send them out via public auction.

The stakes in these OT-centric series are so low. Nothing critical could happen to Obi-wan, Leia, Luke, Vader - hell, even Owen and Beru are safe. There was really nowhere to go with this story to make it feel significant to the overall story, especially since we already know how it ends.

I still don’t understand the rush to get the game out before finishing the restoration mod patch. Like, this game has been out for nearly 20 years. If people can’t wait a couple more months, then they can play finishable versions on PC, Xbox, or mobile.