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It's possible Kendall was the trigger man, but the story he told was totally inconsistent with what happened in the teaser, and while Art may not be talking, and Alison may have been too shaken up to give a clear account, we saw exactly what happened (just not everything that happened). My money is that neither of the

To use a visual metaphor, if Justified has been spinning like a top so far, this is the year it spent wobbling before falling down. Everyone's shit peaked and has now begun catching up with them. All the way back to the end of last season where, with the exception of Ava going to jail, it looked like everyone's

That's vat ve vanted you to think.

In some other interviews, Castellanata said Homer's voice changed because it was more comfortable for recording a half-hour show every week instead of a two minute short every God knows how often. The Matthau voice was apparently a bit of a strain.

I can't remember which writers it was, but IIRC, all the jokes about Jimmy Carter being history's greatest monster were far more earnest than they might appear.

For a while, I was worried it had gotten old, and was afraid to mention it when it seemed apropos since I'd seem mean and petty.

It can. It depends on the story. There are novels where there's a primary focus on fanwanking a Grand Unified Theory of, say, time travel, or robots, or super-beings, or space-based lifeforms. There are ones that just sort of slip stuff in because it's relevant to what's coming up at hand, and they don't have to worry

The 31 part was less jarring for me than Sarina joining Starfleet at all. It was made explicit early on in the novel-verse that 31 fucking loves recruiting Augments, and the Jack Pack's scheme to sell out the Federation is a kind of Keystone Cops version of a 31 scheme. They knew what was necessary, but the regular

The same thing happened to me with Quarles and Limehouse in the butcher shop (with the candlestick), except I'd come into work early to check on a few things and was watching the episode after. Everyone else got in about five minutes before the end, so they all saw me freak out at that moment. They came over to see

Raylan's the only one we saw react. Everyone was just stone-faced during the "confession," and didn't talk about it afterward (yet). It's possible that, like Tonin's confession, they have to go with it in the absence of better options. "We let the confessed killer go because his story was overly rehearsed and a bit

MISTER PICKER.

I, uh… yeah, good question.

During Cards Against Humanity night a couple weeks ago, Rando Cardrissian kicked all of our asses. When Archer started calling himself that, all I could think of was the shame (and possibly haunted deck).

One of my favorite things about this two-parter actually comes from the Confidential for "Journey's End" or "The Stolen Earth," where one of the prop guys talks about having to recreate the Dalek mutant puppet because the original rotted out after being put in a water tank for the season 1 finale.

They finally came around to that way of thinking in Matt Smith's first season, but there are a couple more "Look! One Dalek got away and reproduce! Good thing we killed them all! Or did we?" stories in the future.

I seem to remember you could pretty much wipe the canon universe's ass if you played your cards right. Not exactly finishing off the Yeerks in book 1, but I thought I was able to be an asset to the team.

If it really bothers you, imagine how much you've have to dumb things down to explain cultured, 3D-printed, rejection-proof transplant organs to someone from the Renaissance. After you'd been shot, with only minutes before you were going to die. Elfangor probably dumbed it down a bit.

For it to really count, they should've stopped at "Shadow Dancing" and had "Z'ha'dum" be in the first batch of the new reviews to minimize the (intended) cliffhanger.

Finally, a chance to ask someone what "Chicken Killer" is a reference to! This was the first place I checked, but the reviews didn't go back that far.