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It's Julianne Moore's (Maude) monologue in Haitian French creole:

Edit: oops you might have meant the model?

It's not skeevy because it's all clearly from her point of view, and her perspective is an empowered one. She doesn't break her body parts into pieces to be objectified. When she talks about her ass, it's what she's going to do with it (all up in yo' face). The videos showcase her wearing fancy fantasy get-ups which

I love it too, this video is everything! I love the fantasy aspect, the fancy lingerie, the POSES. I love the beat, the drop. I love saying the lyrics, they're so quick and hot, "He like to call me peaches when we get this nasty!"

Her stuff never makes me feel bad anymore, just absorb the message of ***Flawless (and Pretty Hurts). Whatever way you woke up is perfect. That's why I love this album because it feels very inclusive of all types of womanhood without judgment. I don't aspire to have her body, but to feel as comfortable in my own as

Another song that explicitly references feminism, this time the supposed "hypocrisy" of being feminist and into sex:

Thank you. You said this about as perfectly as it could be said.

No, you aren't forced to arrest victims and put them in jail. The only one being forced in this whole process is the victim, from the forced sexual contact to the forced cooperation with the prosecutor on the prosecutor's terms. The one being coerced, the one whose power is diminished, it's the victim. Not you. It

What are you complaining about? Most rape victims never burden your precious system in the first place. They take the burden and the pain themselves, for no pay or reward.

You're right. I got into a discussion with someone who wondered why these women went to his hotel room. My answer? Some of them probably wanted to have sex. But he drugged them because he wanted rape, not sex.

Like I said, he wasn't afraid of a gun or anything, he was angry. They defied him, probably insulted him and turned the music up. Jordan was talking back at him and laughing at him. That's why Dunn shot him and then got out the car as they drove away and emptied the clip. Then, anger satisfied, he left and got pizza

You're forgetting this possibility: he didn't see anything and only claimed to see a gun because that shored up his case. A man who was afraid that he almost lost his life doesn't go home for pizza.

I get that tiredness. I'm glad all these others are able to speak out so incisively!

And that's spot on. And that's why I have no confidence in a retrial.

I know some people have been trying to argue the jury didn't convict because they weren't sure if it was murder one or one of the lesser included charges. But honestly, I think they didn't convict because some of them thought he had a reasonable fear for his life. And that's completely and utterly bogus. The man is a

You handwave it but don't actually address it. Why does it matter in this case that women are usually the victims when this time it is a woman threatening rape? What she's threatening actually does happen, it happened to my father. How does a woman get to take ownership of this act?

But men are raped, and sometimes they are raped by women. How is it okay to just erase them like that?

And it's a great album too!!!

I'm black and that was my initial reaction. Samuel's whole Shtick is his over the top aggression and snarky attitude, while Laurence always presents himself super serious/dignified above-it-all badass. Also they look nothing alike. But I think being black and having way more familiarity with both their careers might

This article is treating the whole thing like a tabloid scandal and doing the utmost to make this about Mia Farrow, even if that means dragging her children through the muck. It seems very unnecessary to me.