I don’t understand why so many seem to view Howard as a dick.

From what I’ve seen its people complaining that they cast a white lady. Then when you point out that Cleopatra was Greek and not Arabic or black they treat you like you’re the ass hole and a bad liberal.

It’s not PC to call them cannibals anymore. You have to call them People Eating-Americans now.

On the contrary. Nintendo’s preservation is second to none in the gaming industry. Developers actually go to them for source code for the developer’s own games... because Nintendo actually has the foresight to keep that shit when most companies don’t bother.

Honestly (And I know this is spiteful.), a part of me wishes that the Snyderverse just gets wiped away in a wave of Anti-Matter in Flashpoint if only to piss off these assholes.

I bet it's literal. They're all hanging off a cliff that is massive. 

I mean, really, it is all of it, the whole damn series, it really is all just so good.

“...rehabilitate tomb raider Indiana Jones into something less culturally abhorrent.”

My main gripe against 12 is that it’s smug and we don’t really see the heist. “Oh by the way we did all that on the train. Also thank Arsenal football club for the distraction.” The least said about the very very stupid Julia Roberts double subplot the better.

Related: r/Kappa is already melting down after the Terry Bogard reveal. That was just an irreconcilable impossibility to them, seeing a revered character from a highly-regarded SNK nameplate in what to them is not a fighting game played by abusive smelly chumps who can’t even FGC to save their balls. Then again, Ryu…

“Who the hell is Terry?” thousands of Super Smash Bros. fans all asked, in unison, just one moment ago.

Unsurprising. I rewatched It this weekend, and it’s just not very good. A lot of it works under the dumb, perceived notion of “CLOWNS R SCARY, RIGHT???” mixed with erratic movement and unnecessary CGI. This sounds like a doubling down of a lot of that, instead of trying to capture the better parts of the film where,…

I find it funny that so many are blaming Sony when Disney tried to drastically slash Sony’s takings from future films. Disney wanted 50% of the revenue from 5% and they don’t even own the rights to the films. Typical Disney strong arm tactics and yet the masses will worship them blindly.

there has still been zero guarantee from anyone that the additional profit goes to the developer rather than publisher’s pockets. If developers have been able to make games with the 30% cut, why would publishers feel the need to increase their pay while keeping their own pay the same? How does that appeal to…

As someone who hasn’t watched the show in over a decade

About ten minutes ago: I’m done with hype culture, these crowds will cheer about anything. Nothing’s exciting about E3 these days.

Finally, a video that belongs on Deadspin.

The “real” ending will be what I’ve said it will be all along.

I’m so very tired of internet culture.

You have no idea what you’re talking about, Barry!