dagtiqueg--disqus
dagtiqueg
dagtiqueg--disqus

Knowing nothing about you beyond what you've posted here, I can state with complete certainty that everything you think about everything is incorrect.

Agree, it's completely believable that Eugene would prefer the Saviors to anything he's experienced in the apocalypse thus far, and maybe even before.

To me, those events in her past are actually why her reaction to Rick apparently getting devoured makes sense. The comic might emphasize this more than the show, but after everything she lost, especially her son - which basically turned her into a living walker - she avoids romantic involvement with anyone because it

Good point, and I also completely disagree that this episode provides plausible insight into Negan's control over the Saviors. For me, it was very much the opposite. It was actually around this point in the comic that I realized I didn't believe for a second Negan's own people wouldn't have revolted against him.

Pretty much all fiction portraying something supernatural requires at least some suspension of disbelief, and we're all generally perfectly willing to do so regardless of how preposterous the premise. But once disbelief is suspended regarding a premise, the show/book/film/whatever must adhere to the internal rules of

No, you are not alone in being bothered by this. Even in TWD, walker behavior occasionally varies based on narrative requirements at the expense of consistency, but yeah, this was a particularly aggravating example. Similarly, La Colonia walkers apparently don't have the same desire to crowd the fence that prison

The emotion in that scene is so raw. I just remember the way Watts started repeating "I'm in love with you" nearly made me pass out.