Kitchen Nightmates

I believe there are emails where he says it. But if you want to wait for more concrete proof I totally get it.

> the formative childhood traumas that cracked open Lynch’s suburban idyll in Blue Velvet

Gay people “weird him out” and he requires that he be warned of any: https://www.realityblurred.com/realitytv/2011/10/next-food-network-star-guy-fieri-david-page/

watch Ramsay’s travel shows where he goes to Asia to learn from locals. He’s incredibly polite and respectful. He just hates bad kitchens.

> Also, what impact did crossing over have on Coop?

that would have been...Over The Top!

I think the Trinity Bomb from ep8 really showed where Lynch was headed with the story. I think he wanted to show an existence where an evil was unleashed and cannot be removed. And so people like Cooper press on inside this environment, shifting where the evil goes, but never really removing it any more than we can…

I think the Trinity Bomb in ep8 is really important as Lynch is trying to explain the environment that the characters exist in. It’s not an environment they can resolve. They can pursue their goals but their environment will not change. Good (Laura) and Bad (Judy?) will always exist and can never be resolved.

Cooper and Laura seem trapped like Jeffries inside a loop. I think Jeffries was trying to show Cooper where Cooper is in the loop when Cooper asks for the address. Jeffries shows Cooper a figure 8 with a marker in the bottom-right of the loop. It’s like a vertical infinity sign because it shows the White Lodge above…

sex has been one way to cross over to/from the worlds of the Lodges. Early in the season the two young people having sex next to the glass box brought some sort of monster—the same on inside Sarah I’m guessing—into our reality.

Lynch has never really about talking about his own work, especially in his own work. So taking so many points from the show and suggesting they are about the show itself seems to reduce a very imaginative and creative person to something much simpler and uninteresting.

Expecting Lynch to end any story with a clear resolution is kind of silly, right? I mean, even Blue Velvet’s ending is a hollow resolution.

I love S3 but I think the chances of getting answers to even half of the questions the show has left open is low. I’m fine with that.

> I also want to light a candle for Naomi Watts, who has been one of the richest additions to the Twin Peaksroster.

4? Dougie, Coop, Mr. C. Who’s fourth?

Kelly Leak was his greatest superhero role.

James’. Lynch took what was maybe the most mocked thing about season 2 and turned it into something beautiful.

> The Return...obstinately wandering toward a conclusion few are likely to find as pat and satisfactory as television generally provides