"How did you know it wasn't me?"
"Because he didn't say LEF-tenant."
"How did you know it wasn't me?"
"Because he didn't say LEF-tenant."
Art theory 101: a door always symbolizes a way in somewhere.
Sparks has been pushed into cartoonish villainy.
To be fair, it's not his acting that's the problem. In fact, he's very good at playing a villain. It's just it's such a terribly written villain.
I've been saying this all along every time a character throws around the "L" word to a person they have literally only known existed for less than a month (Barbie/Julia, Joe/Norrie). (╯° °)╯︵ ┻━┻
PSA: This exists, and it's another great source of comedy. Did you know they're out of grilled cheese? http://www.houndsofdiana.co…
The terrible love triangle nonsense is made even more hilarious when you remember that Joe and Norrie have known each other for, like, 3 weeks maximum.
I like to think she's rolling her eyes at what's happening on the show. You know, like the audience surrogate.
Man, it's tough enough living in Canada (where we still get most things the U.S. does and at the same time). I can't imagine what's it's like to live in Australia and get everything last if at all (from what I've heard).
Joe is not the only Master of the Obvious. How about Barbie's clunky product placement moment where he checks to see if the internet is working (it isn't - Joe just told you) and reads "This page cannot be displayed" OUT LOUD to reiterate to the illiterate audience members that the internet is indeed not working.…
You're allowed to not like it, but saying that "The 100 is about teenagers falling in love" is like saying Orange is the New Black is about a boyfriend dealing with his girlfriend being in jail (ugh, Larry) or that Lost is about Jack's tattoos. It reduces it to a small part of what it actually is and ignores…
Ok. So you've *clearly* never actually watched The 100. Moving on…
This sounds amazing. Too bad it will never be made available outside the US. *sobs*
A group of strangers are stranded in a strange place where they soon discover other inhabitants and secret hatches?
I've been liking it since Jeremy Carver took over in season 8. Don't get me wrong, seasons 1-5 were the best (and some of the best executed television I've ever watched). But 8 and 9 have been better than 6 and 7. And it's still very enjoyable (the "Dean is a dog" episode was very fun).
Yes really. For me it evokes those early years of Lost (remember those?) when there was that sense of wonder and that anything could happen. And by episode 3 or 4, it really starts to stand out from everything else on the CW (seriously, there is some dark shit in this show). Oh, and the special effects are pretty rad…
So… It's gonna be robots vs aliens for the fate of the human race isn't it?
I kind of felt that way too. Although I did watch the whole thing, and started to like it more as the season goes on. It wasn't until around episode 7 or 8 that I could start to see the appeal.
Toronto, the city that subtly serves as the Working The Engels’
setting and production base. (Not that anything beyond the CN Tower’s
presence in establishing shots would give this fact away.)