cubavenger
CubAvenger
cubavenger

Talk about a lack of reading comprehension.

You don't have to actually watch the movies to hear the fantastic music. In fact, I'd suggest that you don't watch the movies. Just listen to the scores! A word of caution: Listening to the scores may inspire you to watch the movies thinking they must have been better than you remembered. Don't!

Change that to "Has a certain generation's expectations for memorable music been lowered this far?"

"The Jedi Steps" is one of my favorite themes. It's sad and mournful, but it has an upward pull. To me, it sounds like the sadness Luke feels for losing a generation of Jedi to his nephew and the Knights Of Ren, tempered with hope that someone (maybe specifically Rey) will come along to help him redeem himself, right

The song that plays when Rey meets Luke is the same as when Luke is looking at the setting suns on Tatooine.

Just counting its use in the original Star Wars, I think "Binary Sunset" (which is more commonly known as "the Force theme") stands out as a huge, memorable musical moment outside the opening/closing credits. That theme evokes all of Luke's longing for a better life, his longing to know his father, and his yearning

Crimson Peak by Fernando Velazquez ("Edith's Theme", in particular) makes me swoon every time. Hear also his score for The Impossible (although I think that will get ripped to shreds by overly cynical types for being "manipulative," even though I think the film more than earns its emotional payoff considering what the

"Rey's Theme" and the "Jedi Temple Steps" are both incredibly memorable and I could hum those.

The rumor is that Williams wrote themes for everyone and everything in The Force Awakens and that the rough cut had wall-to-wall music. However, in the editing room, Abrams thought it was overkill and started cutting a lot of the music, leaving only Kylo Ren's Theme, the Resistance Theme, and Rey's Theme as the three

Sense8 is the only show that explicitly went into dong territory that I can recall, but I think they would qualify in the Non-Prosthetic category because it was a rainbow-colored strap-on. It wasn't meant to be a realistic dong.

Supposebly, I did. Irregardless—

The "Patty" operation's ending was just…devastating for everyone involved. That was one of the biggest gut punches of the last year. For me, it was right up there with "Hold The Door."

As long as their discrete, it doesn't effect me.

This should set your teeth on edge.

I think that would fall under Outstanding Hairstyling. On the other hand, any merkins would fall under Outstanding Makeup (Non-Prosthetic).

In all fairness, if anyone from The Americans should have won Outstanding Guest Actress In A Drama Series, it should have been Ruthie Ann Miles for her portrayal of Young-Hee. She didn't go over the maximum number of episodes for consideration, and her work this past season was delightful and ultimately integral to

RuPaul won for Outstanding Host For A Reality Or Reality-Competition Program! I didn't think that was going to happen, but I'm so happy it did!

I'm sorry. The resources for such an article were redirected to Supper Club.

To "The non-gay gay" (whatever that is):

Not quite as Asian-inspired as Björk's look, but excellent observation! If she'd gone all in on replicating that look, it would have been an incredible follow-up.