"I love the water."
"I love the water."
Well, there's no lens flare, so that's a start.
It's not that they need to have some demographic quota. For me, it's that they're apparently repeating the same old story with the same cast make-up as the Original Trilogy and the Prequel Trilogy.
Watching this episode almost a year after the Edward Snowden leaks, it's scary how something so seemingly implausible as a plot device then was just about right on the money for what the NSA was/is actually doing.
Watching this episode almost a year after the Edward Snowden leaks, it's scary how something so seemingly implausible as a plot device then was just about right on the money for what the NSA was/is actually doing.
Considering the universe the show has created, I don't think Connor Queen would be abducted to a hell dimension and raised to hate his father.
"Ladies and gentlemen, Tasha Cookies!"
"Magnolia? Who the fuck is that?"
It isn't about whether or not I get to use these words. I'm not arguing against the language police for my own personal benefit so that I may use these words freely in conversation or in jest, because I don't use these words.
You're missing Laganja.
Does anyone know the 'R' in "Butterface"? Because…damn.
Everyone needs to learn to not let words have power over them. I think that's generally accepted as psychologically healthy. You can't control what other people do or say, but you can control how you react to what others do and say.
"It bothers me when you say it, because you mean it."
I'd put forth "Polaris," "True Love 1980," and "Arcadia" as evidence to the contrary.
But they moved past all of that. Free All Angels, Twilight Of The Innocents, and the most recent A-Z Singles are about a million miles away from "Kung Fu," "Girl From Mars," and "Jack Names The Planets." They basically matured along the lines of "Oh Yeah" and "Goldfinger" (for a 1977 analogy).
So were The Beatles.
The music Verve were doing during the prime period of Britpop (1993-1996) was not Britpop. The stuff on A Northern Soul may have been more structured than spacy, 9-minute epics like "Gravity Grave" or "She's A Superstar," but it still didn't have the concise format or the unapologetic embrace of popular music…
Hearing Lasagna yell, "I'M FEELING VERY ATTACKED RIGHT NOW!!!" in the Frank Costanza "Serenity now!" voice was the highlight of my evening.