It's funny how some of these tracks have and haven't been vindicated by history. Like, nobody admits to liking Coal Chamber or Smashing Pumpkins anymore, Public Image is considered more important than the Sex Pistols by many, Depeche Mode and Gary Numan have had long careers with dedicated fanbases, Kathleen Hanna is…

And U2 I believe. And the whole Conspiracy Of Hope tour line up.

I support Corgan kicking Pavement off Lolapalooza, not for the insult, but for writing such a boring song.

I don't know many long time comic readers who actually want to see Batman and Superman fight. At least, not as the foundation of a supposed cinematic universe. It's the type of fanboys who only know Batman through video games, and casuals who think Superman is boring because he's 'too powerful' who want to see them…

Yeah, I was thinking about that after I left theatre. The Steampunk 'canon' is surprisingly small. Steampunk has been waiting for its Star Wars or Matrix - it's massive genre-defining blockbuster - for a while now. Maybe too long.

Only one song from Relationship Of Demand?! Fie! A pox on you!
Invalid Litter Department is one of the greatest songs ever, and Arcarsenal and Non-Zero Possibility aren't far behind.

Every Frame A Painting by Tony Zhou. Mark Kermode's reviews. SF Debris does in-depth analysis of sci-fi shows. Those massive Red Letter Media Star Wars reviews (I don't watch their regular reviews)

My friend sent me his review which began "if you enjoy Franco-Belgian comics, steampunk or Hayao Miyazaki's movies this will definitely be up your alley." And I was like: TAKE MY MONEY!

I think it hold up pretty well. Catchphrases that became overused aside, there's not much that feels dated - It seems to take place in an alternate universe that's part 90s, part 40s, the CGI still hold up and is used sparingly, and the jokes mostly land because they're referencing old Looney Tunes and Tex Avery…

Jesus people. The woman did write Live Through This. Cut her some slack.

Nope. I legit love it. It's one of the earliest songs I can remember dancing to when the video came on.
Why yes, I am white.

Face Value is far and away his best solo album. His work with Genesis in the 70s was similar to their Peter Gabriel years - Trick Of The Tail is one of their best albums - and after that the Genesis and solo stuff blends together a bit. Invisible Touch is probably the definitive 80s Genesis album; great songs, if you…

Leaving aside his solo work AND his Genesis albums, he also drummed on Brian Eno and Peter Gabriel's best albums, and his fusion band Brand X is nothing to sniff at either. (Unless, y'know, you're one of the 99% of people who hate jazz fusion).

Nice to see 80s Van Morrison mentioned. In contrast to his 60s contemporaries, the did most of his best (non-Astral Weeks) work in the 80s. That "languid New Age" sound fitted him like a glove and he created a sound that was wholly his own.

The band didn't do Pop any favourites by treating it as a work-in-progress that they had to rush out to meet the release day. They remixed some of the songs for inclusion on their second best of collection, and those versions are completely denuded and lifeless.
Brian Eno once said that U2's biggest problem is…

Wow! Someone sticking up for U2! What is this, the mirror universe?

I'll have to check this out, because I've only heard Gentlemen, and that album is near perfect, so if this even comes close then it's a must hear.

But which mix of Raw Power though? The original Bowie mix lacks *ahem* raw power, but has more interesting nuances, which Iggy's 90s mix is intense, but too comprised. This is one album arguably without a 'definitive' version.

Yeah, but it's not impossible for a good writer. It wouldn't be exactly the same tone as Gotham Central; more fun and crazy. The adventures that the cast have when Superman is out of town with the Justice League.

Not joking: they had Clark Kent go on a rant about that about two years ago in the comics.