FUCK I LOVED THIS BONKERS OF AN EPISODE. Whatever the hell the writers are using this season, I'm in. I loved every minute of it, specially because my expectations were completely turned upside down with the Kevin seeing dead people plot. After Ghost Patti last season, which was - IMO -, the weakest part of an…

No way! I mean, speaking about Breaking Bad, the first three-four episodes would be a snooze fest, the following five hours would be okay and the last three-two episodes would be so brilliant you would forget the rest of the season wasn't that good. The only exceptions I can come up with are seasons 3 and 5.
Btw, I…

Gary always shines when he's in the background.

Exactly, I don't get why the hate for the first two episodes. While not the show's finest half hours, they worked pretty great with me.

Ah, I liked it. It was surely very unprofessional, but, in my opinion, the scene felt more of a parody and comic relief than something to take seriously. It's similar to Nora and Erika's trampoline scene in a way, it's absolutely ridiculous, but also pretty great to watch.

One of the best things about this new season is its sense of humor. That was pure gold.

I FUCKING LOVED IT. A bit slower than usual but man did it deliver. What a delight to see what The Leftovers has become.

I felt that every single story not directly related to Elliot and Mr. Robot was amazing. I thought that Angela's and Darlene's development were pretty neat, as were their scenes together. The detective subplot was also compelling.

I was loving the second season up until that plot twist revel. I felt so frustrating and betrayed that it made me reevaluate all episodes I had watched up until then. I did finish the show though, and while it looked much better than its first year - which was already gorgeously shot - Mr. Robot felt like a…

The scene in the limo was glorious. From Selina mocking the dislexic daughter of a potential investor, to Gary's freak out, I just laughed out loud non-stop.

I'm still kind of bitter that the first season's opening credits will probably never be used again, but the idea behind different songs every episode sounds interesting. I'm curious.

That makes sense… but I still wonder what could have possibly happened to Lily, specially because the show didn't imply anything about Nora giving the baby up for adoption or something alike. That said, the most logical conclusion, to me, is either that Erika took Lily away, or that Nora has been in a car accident…

WAT. How dare you talk about Aniston like that…

Well, that's infuriating.
It's a bold way to close the show and one that ultimately doesn't fully work for me, partly because the show couldn't have given a less shit about its side characters, in favor or Hannah and Marnie's friendship, which, in my opinion, isn't that compelling.

I'm sorry, it was supposed to be 1844.

They are either doing some Mary Antoinette shit, or it'll be like The Village all over again. I prefer the former.

Yes… That actually makes a lot more sense, specially given their epic conversation in the Lens episode

Yeah, I also like to think that there's a strong correlation between that woman from the 1800s and Nora from the future. The former continued to have hope for whatever the hell was that, and, by the ending scene, Nora somehow still kept looking for answers through the letters?

Season 2 premiere also didn't have the new credits, although they were released on Youtube a week before the premiere. That said, I think they are going to go with the same credits - but with different music every episode.

Man, I don't know who is the lucky one: him or Jennifer Aniston.