I can't understand why this is even an issue, either in a fictional setting or real life. Oh no, transwomen aren't allowed at the annual radfem wacko camp!

Yes to both of those. The fatal four-way tag match at Summerslam really sticks out too.

The whole intro paragraph is embarrassing. It reads like it was written by a Buzzfeed intern.

"Here is a lost of books we read in 2015"

Actually, if anything I'd suggest much of the malaise is down to older writers doing parent-oriented stuff about cartoons and the like. The coverage has lost a lot of its bite and vitality, though I'd agree with pretty much the rest of that assessment. This list is pretty underwhelming, not least because the…

I wonder what it was that caused Tom Hanks to age a decade and a half in the last year or so. He looks BAD.

Wasn't anywhere near X-Men, let alone the best DCU stuff.

In the same way as Red Tails is the Star Wars prequel that fans deserved, this formatting must be the comment section AV Club readers deserve.

Exactly! Lucas had one of the deepest and most compelling fictional universes in history to build those films on, and still produced a shit show.

The 'Yoda kicking ass' part was pure-grade Poochie, and is symbolic of so many of the prequels' other faults.

What's the point of covering or adapting something in the first place if you aren't bringing anything new to it?

Actually, I don't think the vast majority of people care that much about race - including Moore apparently - but if you change gender or sexuality you're changing some fairly substantial parts of the character because you change the way they relate to the world, and how people relate to them.

It's pretty good but (off the top of my head) The Spy Who Loved Me and From Russia With Love both have better intros. It's an okay film though, even if the relatively low budget made it look weak compared to American-made action films.

He's a good actor in other roles but Dalton was too bland and one-dimensional to be a good Bond. The Bond who suffered most from bad scripts was Brosnan, who did everything Dalton did but who could also deliver a one liner.

That enmity only goes one way these days. We like the Irish just like everyone else does and we'd love to see some decent Becky work next week.

It was weird. I hadn't seen an episode in years and it feels like the show's turned into a drama where everyone's voice, and half the characters, are different. Have they decided to just go with the 'we can't write funny jokes anymore' thing and run with it?

Maybe it's because I was in England at the time but even though they were all over the radio, No Doubt were barely a blip for me until Rock Steady, which I liked a lot (even if it's one of the most top heavy albums ever released). Looking at Tragic Kingdom now, it's still just blah - I don't really see it as a big…

Based on what, her complete inexperience over a 30+ year career of doing anything not based in real life? Even Near Dark and Strange Days were basically thrillers with a twist.

Maybe it would help if they changed Cesaro's attire so it doesn't constantly look like he's wrestling in his underwear.

I'd completely agree with this. Bendis seems to extend the Spider-man wisecracking voice to pretty much every character, including the likes of Captain America and Thor, and his dialogue's so flat. It has the same beats no matter what he's writing and it gets dull once you've read a few of his books.