cnash85
CNash
cnash85

Buffy and Angel were both shows that drew my attention to TV writers in a way that has happened on no other show before or since. (I had a little bit of that with The X-Files and new Doctor Who, but not nearly to the extent that I ever did for Buffy/Angel.) I do think a lot of that was thanks to Whedon for bringing

What JW did to CC was wrong by the standards of the time and is wrong now. There is a lesson in here that is important for all of us to remember. There is a danger in declaring yourself (or being declared) any kind of activist, ally, hero, etc. and then never questioning it or changing over time. If you start out in

This is the problem with cultural fragmentation, people can’t appreciate a good genre pastiche anymore. They just want The Metaplot to Advance. 

The bus was also an American (left-hand drive) model; a bus in England would have the driver’s seat on the right and the doors on the left side. I know they made a crack about Mick driving “on the wrong side of the road”, but that’s obligatory whenever American characters drive something in the UK.

Surprised that no one mentioned the best throw away line.

TFA wants you to feel like a child again. Which sometimes when you’re older is really hard to do.

Why do you insist on calling the guy Ramsey zombiefied first as “Romano” when it’s clearly “Romero”?  You did the same thing last week.

It’s that way with US Navy ranks as well since Lieutenant Commander is a mouthful and shortening it to Lieutenant would be disrespectful. 

This was great comment, and it tie into O’Neal’s article about Ghostbusters this morning. Every franchise have this problem with varying degrees of difficulty, in that nothing can ever live up to feeling original gave you because you are no longer 9 years old.

also, token Stan Lee cameo in case you missed him on a poster on a back of a bus (“Forbush and Associates got me $5.2 million”)