Congratulations to whatever page editor greenlit this shit. You’re literally doing all the free publicity Planter’s wants by writing up these clickbait articles.
Congratulations to whatever page editor greenlit this shit. You’re literally doing all the free publicity Planter’s wants by writing up these clickbait articles.
I have hesitations but I am happy to be proven wrong!
Fraternity Bros in 2003 will be so excited!
You may be onto something with the Colin Baker comparison: I’ve been burdened with that exact thought since the halfway point through S11. Whittaker could very well be fired or quit because of the dwindling results of Chris Chibnall’s incompetence and inadequacies as a showrunner/writer.
This is either a biting piece of satire or you are very serious right now...
I’m well outside the demographic for TikTok and never understood its purpose — but Maris’s account is fascinating from an archaeological perspective.
So what you’re saying is that Lucas and Moore are the latest creative team in Hollywood to fail upwards?
Natalie Portman’s performance is an SNL sketch that lacks self-awareness. That movie is portentous to everything she’s acted in since — unrepentantly pretentious and self-aggrandizing.
You beat me to it. I haven’t seen this yet but I know she’ll knock it out of the park. Booksmart proved her versatility — which hopefully will open the door to more promising work.
Hopefully it’ll involve them spending 90% of the season getting into shenanigans which will culminate with an 11th hour rebranding of their product!
I’m glad I found someone in this thread who revers that final season like I do.
Since this was a Rob Thomas production, I thought Dick was a Veronica Mars spinoff featuring Dick Casablancas, which I would have been inexplicably onboard with.
Hot Take: NoHo Hank should either die or get written off the show. I understand Anthony Carrigan is absolutely note-perfect in the role and the impulse to let him play but we’ve now reached the point in Barry’s narrative where his story has fuck-all do to with the A-plot.
If the writers want to properly end this show, at this point they should blow up the hospital. And the sad thing is that might be how they do it...
At some point Loach likely did care about Moss’s murder and bringing her killer to justice but the separation from his wife is clouding his judgment and causing him to act impulsively. Or at least, that’s the way I’m looking at it.
It’s very telling that the studio has no faith in this that they’re dumping it into theaters now as opposed to in May. This is very much a “Fuck you, it’s January” movie.
Casting Charles Manson is like hiring Batman for the chin, all you need is long hair and beard for authenticity.
Tarantino’s film will almost certainly eclipse this upon release, but there’s potential for this to be more probative than the navalgazing and flippancy I fear Once Upon a Time in Hollywood will probably be...
I definitely will, much like a decent chunk of the mainstream and critical audience who’ve already forgotten that it’s still on.
If this show can’t even put up the facade of a family maturing and changing accurately, just imagine how insufferable it will be in another year when its still on the air...