On the "Spanish 101" commentary, Chase sees Ken Jeong on screen and says, "Can't act, can't drive." I can only imagine the charm of that wears off after awhile.

This looks to be taking place in the same alternate universe as STUDIO 60, where things don't make sense and a guy can have a hit Political Show on a 24-hour cable news network without everyone knowing exactly where he stands politically. Which basically means we're in for a guaranteed a laff riot.

That's the best story ever.

I'd like to think he just pulled a Constanza, and showed up the next Monday pretending it didn't happen.

And it's not like there's something magic machine that makes copies of things.

I kept waiting for Don and Meagan to have a big Tony and Carmella-style blowout, but I also enjoyed what we got instead.

Yes! That's what it reminded me of!

Also, Jesus, it seriously creeped me out. I like Lane a lot, and I feel like he's one of the few level-headed, non-insane people in that world, but now I can't help but picture him at the office late at night, whacking it to that picture.
 There's a weird thing with this show in particular, where it seems like they're…

Pete Campbell and Roger Sterling : Mad Men :: Christopher Moltisanti and Pauli Walnuts : The Sopranos. And I love that. That and Peggy giving Don shit at his own party were my favorite parts of a really great two hours.

I only know Reed through Archer, but I tried to give Frisky Dingo a shot last weekend. It starts out really funny, with an awesome premise, but just more and more off the rails, until it seems like episode 10 has almost nothing in common with episode 1. I don't know if it was the time contraint or some "craziness"…

That was really great. The kind of COMMUNITY episodes I love. Was feeling pretty meh about this show returning, but now, I'm so so glad it's back.

The movie was fine - it basically pulled by the curtain back a quarter inch. I felt the script was kind of rote - there's no "angle" to it, it's just a straight-up dramatization of the events as they happened (as opposed to, say, being filtered through one singular view) - and Jay Roach basically played everything in…

I think you're right about Schmidt, but Nicole Wallace is practically deified in this movie.

That episode made me super-tense; like, Sopranos-tense, where it feels like at any moment, shit could go down. I half-thought Kenny was going to put that trident in Ivan's chest.

I rewatched Season 2 over the weekend (still, to my mind, the best continuation of a comedy ever) and was surprised when he showed up for a scene in the finale, having remembered that bit from the Vice article. Must have been one awkward day on set.

I'm with Nathan on the reaction shots - Kenny saying "fuck" followed by a cut to a kid was something that wasn't that funny by the end of the first season, and is actively not funny now. I know someone above said that it wasn't as bad as the dog coverings its paws over its eyes, but it's basically become this show's…

Can I throw out "He was our happy little boy?" It's so amazing the level of denial she's operating at in that moment. I laughed out loud when I first saw it, because she's committed to it.

SPOILERS (is this necessary?)

AND that it's all done in service of the story. Not only is it funny, but there's a legitimately grounded reason why Jeff would do it.

I don't know, man. Between the plot that goofs on stories that have come before it, to paring off two characters in the ensemble in a wholly surprising and satisfying way, this episode had a lot of things that made me fall in love with Community in the first place. Mind-boggling that Todd has begun a serialized…