I get that, but I mean, come on. COME ON. The red herring set up with the father is so laughably obvious.
I get that, but I mean, come on. COME ON. The red herring set up with the father is so laughably obvious.
Fuck you, Broadchurch.
Meh. So far, it's reading a lot like The Killing's Season 1, which is to say, not particularly good. And having been one of the handful of people to have watched The Killing's EXCELLENT Season 3, so far, this feels really lackluster in comparison to that.
I can't answer that, but I can tell you the following that may not have been clear from the show:
I do find it a little funny that the ending of this season so matched the ending of Se7en, which starred Brad Pitt, Enos' co-star in World War Z.
A resolution to WHAT, exactly?
Yup—Becker is done. Veena Sud and Peter Saarsgard have a really good interview in Buzzfeed where they explain it: basically, Becker is trying to be righteous in everything he does, and then it turns out that his own son is the kind of monster he thinks exists only at work. And in the end, he sees the human side of PS…
Nope, not at all. Maybe being gay gives me different perspective, but yeah, I would say I and almost every other gay person I know has a story pretty much exactly like that from either high school or college.
I know some people are going to shout, "RED HERRING" and "FUCK YOU, THE KILLING", but all I'm feeling is love for a show I used to absolutely HATE. This season has a very literary quality to it, like it was a well-written mystery novel before being adapted to the screen. Yes, it has some dead ends and such, but so do…
I thought this episode deserved more than a B-. Even if this does turn out to be a red herring, I think it's pretty hard to expect a cop drama like this not to have at least one per season. And more to the point, Pastor Mike looks like a really bad dude, and not everyone else around the missing kids this season is a…
Now that The Killing seems to have finally gotten consistently good, the only show I'll have left to hate-watch on AMC is The Pitch.
I keep wondering: what if all this portents of doom around Megan are really some sort of sly misdirection, and instead they kill Peggy, all alone with her cat in her apartment in the hood? It would take major balls, but Wiener's big enough to have that part covered.
You sound old and cranky. You should take a nap before you hit the early bird special at the Sizzler.
Every so often I watch this and wonder how this is the top-rated comedy while Happy Endings got shuffled off to Friday purgatory to be canceled.
So they're getting on a ship to go find a main character's son who's been taken by a group of others, but once they leave, they may never be able to find their way back. Dollars to donuts next season we'll find out Captain Hook's ship is loaded with dynamite.
Henry is the world's worst WALT.
God, I hope Henry doesn't get kidnapped, because then we'll have Emma running around all the time screaming, "HENRY!"
And most of the reason GM lost its luster can be traced directly back to the XP-887/Vega development process. On its surface, it made sense—GM was grossly inefficient, with brands like Oldsmobile, Buick and Chevrolet all producing similar vehicles with similarly-sized engines that were developed completely independent…
Yeah, but Don's campaign only would have been a teaser for a week, leading up to the release of the vehicle. Infiniti's campaign was running for six months after the Q45 and M30 were sitting on dealers' lots.
The XP-887 is, in fact, the working code for the Chevrolet Vega (even if you're not a car geek like me, the tip-off was the line about how "GM designed it with computers!").