I’m not going to be able to watch this show the same way any more after hearing Jodie Comers’s real accent.

:-D

and MAMAMOO, albeit obliquely, with Whee In’s solo, EASY.

On one hand, I do wanna watch this.

I’ve good (and bad) things about Into the Badlands, but I think the only way I can watch it legally in the UK is to pay some satellite/cable company to get a bunch of channels I don’t care for, so for now it’ll remain unwatched on my part.

This and “Snake” were the best songs on what I feel was Jaurim’s weakest album. I think the three subsequent albums they released after Wonderland were their best, namely: 04, All You Need Is Love, and Ashes to Ashes.

How did the general public get so disinterested in the first place?

If Vision somehow lives I’d love to see some kind of MCU adaptation (movie of Netflix, I’m not fussed) of this short comic run by Tim King. For anyone not familiar with it, Vision creates his own family and attempts to lead a normal human-like life. Things.... don’t go well however.

The reeeeaaal foooolk bluuuues *mumbles the remaining Japanese lyrics*

If it’s going to be anything like the third one, I think I can do without it.

Maybe those tracks aren’t on Spotify?

When traveling on the London Underground (or The Tube as we like to call it) it is NOT necessary to wait for the gates to close before holding your oyster card on the yellow reader until it beeps. Realistically you’re only saving seconds on your journey but as a Londoner it becomes quite grating getting held up behind…

To give does people the benefit of the doubt, they probably aren’t deliberately turning the flash on themselves. They most likely leave their camera settings on auto (the default), and the camera software is all, “Yep! This lighting condition requires FLASH!!”.

I’ll be sorely disappointed if Sheena Ringo isn’t musically involved in the opening ceremony somehow.

Or just some kind of World Tour in general.

I’m currently adoring her other new song, 神様、仏様 (God, nor Buddha), at the moment. The ending is amazing.