I'm still confused by why so many people seem to be outraged by the mere idea of this production. I get it when people disagree with casting choices, or when they assume that this is going to be bad because of the way some of the previous live musical events have turned out, but a lot of people seem to hold the…

YEEEEEEEEEESSSSS, new episodes! Now I can finally stop going back to that shadow ninja episode for aesthetic ladyboners.

I think I speak for the behalf of a lot of viewers when I say that I'd enjoy the show a great deal more if Jessie's entire family had been fed to walkers a long, long time ago. They're a goddamn cluster grenade of plot hazards, and none of them are interesting or entertaining. Jessie's husband was an asshole, both of…

It's a pity that the movie wasn't any good. The casting was spot-on, and the art direction was simply beautiful, but other than that it was such a bore and wasted all of its potential in stuffy dialogue, clunky storytelling, watered-down ending and general underuse of its excellent cast. But then again, I only really…

I'm honestly guessing that they're intentionally feeding false hope with ambiguous statements like that only to confirm his death by making Maggie discover his zombified head or something, because this show is all about going against the viewers' expectations. Kind of like what they did with the whole storyline about…

Maybe the search for Glenn becomes a plotline in the next episodes. I
could see the writers making a story out of the others trying to find
him, or his remains, to no avail while the viewers are breaking their
hearts knowning that he's definitely dead and there's no way Maggie is
ever going to know that for sure.

I'm gonna say he's dead for good. Even if the way his death was shown left some room for hopeful speculation, the episode as a whole felt like a disguised farewell to the character, from the parallels between him and Dave and the last conversation between him and Rick echoing Glenn's first appearance in the show to…

Whenever I'm having a revelation like this, I take comfort in the fact that the leading movie critic of a local newspaper repeatedly makes far more ridiculous mistakes, like mistaking director Steve McQueen, of "12 Days a Slave" and "Shame" fame, with the late acting legend Steve McQueen.

Such a simple song, and yet so difficult to pull off. I've heard countless cover versions of this song, and they're all overstated, too weepy, to cutesy, or disappointing in some other way. Morrissey's signature skill of sounding genuinely anguished and ironic at the same time makes this song what it is: tragic…

What a coincidence, I just finished binge-watching this series on Netflix today, having returned to it nearly ten years after last viewing it. My appreciation of this series had waned over the years, but after rewatching it all I remembered again why I loved this show so much when it first aired. Buffy the Vampire…

I enjoyed the hell out of this very flawed little show. Even though the characters truly were too uninteresting to be emotionally invested in, and even though the final reveal was disappointing both in its predictability and because of the really lazy character motivations it suggested, there was something madly…

I messed up something when I tried to record this and wound up with only the last 10 minutes of the episode. However, the show has been so experimentive with its narrative structure this season that I honestly didn't even realize that I was missing more than half an episode until the credits started rolling.

When Rick's group first entered Alexandria and both they and the audience were trying to figure out whether the place holds some deep dark secret like Terminus, the lack of ethnic diversity among the locals honestly made me suspect that they're some crazy white supremacist community who are only going to let in the…

Before this episode, I wasn't too irritated by the show's habit of killing off black male characters because it didn't seem delibarate - all kinds of characters get killed off in this show all the time, and at least TWD does a better job of featuring a variety of non-interchangeable black characters in general. I…

I didn't mean "light" literally as in "lighting", though there's an aesthetic aspect to it as well. I'm talking about the general mood of the season, which I found to be less mysterious, less gritty and less spooky than it was before. That's what hurt the atmosphere the previous seasons had set, and I really didn't…

Sure, but that lawyer thing just didn't work for me personally. It lacked some core aspect I really liked about the previous seasons.

Yes, that's what I think. The final season had some awesome episodes, but I didn't like the overall feel of it because of the change of setting dampened the film noir atmosphere of the earlier seasons. I think it lost too much of its identity there. It just felt like the season had two bad ideas for every good one,…

While I recognize that Buffy has greater cultural significance than its spin-off, I'm an Angel person, too. Buffy might have been the more original a concept (quite obviously, given that Angel was the spin-off) with it mash-up of pop culture horror and high school anxiety, more clever with its jokes and references,…

I'd like to see a remake of Gargoyles. It was an intriguing, exciting, and usually well-written and well-animated series with memorable characters, and it appealed to kids, teens and adults alike. While the original series has aged rather well and - save for the horrid third season - I think there was still a lot of…

I don't see the similarity, aside from sharing some actors. The reason I can't stop laughing at Step Brothers because its comedy is, at its core, very strange, inventive, and playful. It draws its humor from the deepest, most childish whims people have and has its adult characaters act upon them, resulting in bizarre,…