Wait, was it an “A” revised to “A-” 90 minutes later? Even still, it’s a rare thing, indeed.

It was released in Europe a good few months ago and has presumably done the full festival circuit, which explains why many of us have seen it/have been talking about it.

Releases in the US Friday. Out elsewhere months ago.

Review?

Yes. Lets go with “Heat Stroke”.

I mean, the dude has a big beard, but is wearing a pretty standard black jacket and shirt and calling The Breeders hipsters just makes me think you don’t have a clue who Kim Deal is. I think being one of the original members of the Pixies exempts you from any accusations of hipster-dom and just makes you an…

Yeh, but this article makes clear that Gaiman has nothing to do with these series other than giving his blessing, so your comment is sorta a strange criticism.

Dude is from wealth, one of the most successful writers today, charges a $45,000 speaking fee, this is before taking into account American Gods. I’m thinking he can cover the mortgage.

A “Lucifer revival” is one of the oddest things I can imagine. The comic ends with Lu and YHWH walking off into non-existence and every other known being living in the new Universe, with its new God. I can’t imagine a more definitive ending.

Gaiman ended the Sandman comic pretty much as well as anybody possibly could. It’s near perfect and all the guy had to do was leave it alone but he can’t. He keeps picking at it, not adding anything, just picking. None of the Sandman stuff that he has put out, since, has been horrible or ruined the series but none of…

Thessaly was a good, complex character. Hopefully she is in one of the spinoffs.

“I don’t listen to Andrew W.K.’s music all that often anymore, and I don’t know how often I’ll head for You’re Not Alone in the future.”

Gives it an A anyway.

WTF?  

The AVClub have raised the white flag when it comes to music coverage.

CARL: You’re my best friend, Michonne.

Oh, you know, that plucky 36 year old teenager, Natalie Portman, and her plucky, 56 year old sidekick, Jennifer Jason Leigh.

I’m not sure this is the right movie for this rant.

Garland has written/directed one movie that kind of went of course near the end with Sunshine, so I don’t really like this suggestion that is made in general towards his films. It’s weird to say Ex Machina didn’t stick the landing (I know IV said as much in the review a few years ago and the commentariat back then…

“when the lizard part of Garland’s brain suddenly takes over, transforming an intriguing space odyssey, let’s say, into an intergalactic slasher movie.”

Wouldn’t that be the books doing? Or is this all his invention from there on out? 

Harley and Gibson are classic 20th-century brands that embody the mythology of America’s post-war glory years. But those are dying embers. As the 20th century fades into the rear view mirror, the mystique of these brands also fades, never to return. Sad.

That’s because Gibson followed the same strategy that Harley Davidson in terms of branding and marketing strategy. These days, if you want the “classic” Gibson build quality, you have to go with the custom shop and drop a sum.

I know this article is not meant to be an exhaustive chronicle of Shyamalan’s rise, fall, and rise, but it’s worth mentioning that people started getting excited about him again in 2015 with The Visit. Shockingly, the way to get audiences to like your movies is to make enjoyable movies! Here’s hoping Glass is another…