Tell me I'm not dreaming this.

Personal esoteric rule no. 76: Perfect song placement in a film elevates the film, not the song.

This is what the review literally says: "There are huge differences between Cosby and Kilgrave—Cosby is a black man and a public figure whereas Kilgrave is a white man that operates in private—but they both come from a place of privilege that has allowed them to avoid the consequences of their (alleged) actions."…

But Luke never actually kills Jessica. Jessica only breaks her hold after she kills Reva. Maybe Luke would've done the same if he'd succeeded.

It's also suggested that Jessica was controlled at every waking moment (except for a few minutes, seen in flashback), whereas child Kilgrave probably let his parents off the hook more often. Maybe you need a more constant exposure to build resistance. (And, sure, powers.)

It wasn't so much ignoring it as purposely not wrapping things up too neatly - there has to be some grist for a second season. I personally love the ambiguous denouement. The best "circles" are messy and don't quite connect with the starting point.

Kilgrave would just command him to sit down and write vampire slash forever.

This is maybe beside the point for a New Yorker, but in Toronto you can get different ethnic food every day for two weeks, within about a 20-minute walk radius.

NEVER FORGET

Endorgizer.

They're better now than when they were Farty Boner Corpse & Messina.

That photo of Mary with the two men screams caption contest.

I wish Bates had a middle expression between love/adoration and pre-Hulk rage. It's perfectly okay to be suspicious of Anna's midnight run and not have it look like he's contemplating her murder.

I'm sure Baxter's plot will provide that melodrama we're all jonesing for.

[Violet pokes her head out of a hole in the wall] "I always said indoor plumbing would be the death of the aristocracy." [cue laugh track, Mary and Cora dance the Watusi]

And Thomas doesn't always see Carson's warm side, or chooses to ignore it. Lord Grantham was reminding Thomas (and us) that for all his gruffness and stuffiness, Carson has laid a foundation of doing decent things for people and if it came down to it, he'd have your back (after a stern lecture). Carson can get away…

Maybe if Thomas didn't bring it up every two seconds, they'd stop needling him about leaving.

I totally forgot he had a thing for Daisy. I'm too distracted by the giddy thrill of watching him snub Thomas.

"Mystery of life, eh? I can solve that case for you, wot!"

You see, this is why that goddamn rule book is 900 pages long.