Oh, please, people say the exact same thing about Taylor Swift, and she generally only has two writers per song, max.

"Tim Hutton said so in a post finale interview."

"How do we stop this meme-maam shit?"

Even with that, I feel like "Cater 2 U" kind of invalidates the entire feminist argument, but different strokes.

Her last album? The one that features "Drunk in Love", where her husband glorifies domestic violence, and she stands behind him, singing along with his rap?

Are you guys on Tidal's payroll or something? One headline slamming Spotify and one blowing smoke up Tidal's ass, all in the same hour.

Especially when the scene with Finn was shot so much differently, with both of them on screen at the same time. It's almost like they're trying to draw attention to it.

I think the fact that nobody in the film seemed concerned about the other kids in that house stood out to begin with. When the film wrapped up a story that didn't need to be wrapped up (Anonymous Handyman), it just drew more attention that there was no closure with Evil Stepdad and his kids.

Where the fuck were you seven months ago?

Right, but since it did include the kid at the restaurant, it felt contrived and stupid.

I didn't find it racist, I just found it stupid. A much larger subplot is the first step-dad and his kids, who could just be laying in that old house dead, since the story wasn't wrapped up in any way…but we do find out what happens to the random septic tank guy?

I feel like the author somehow missed the fact that Petty is getting 12.5% of Sam Smith's song's royalties. Of course he's chill if he's getting paid from a massive song.

Billy Joel played at Vanderbilt last year.