I had a similar reaction to yours, after my initial reaction was more like the review's. I think the dissonance comes from the fact that, if your mind/consciousness was uploaded in a literally virtual heaven like in the episode, and this is the only heaven your mind could've considered as possible, then perhaps it…
cadeuceus
cadeuceus
Amen.
Man, what a fucking bummer. We still have ~2.25 more months of 2016. 2016: You sadistic bastard.
I want to believe.
CLITS R KINDA BONERZ TOO YA KNOW
I was extremely impressed by the direction in this episode, all the moreso for how vital it was for the episode marking the first "turn" of the season to stick the landing hard. So when the credits came up and showed that it was Angela Bassett who directed this, I loved the episode all the more. Apparently she…
I think both political parties, and their respective candidates, are about as evil as it gets, but I don't think they're THAT evil! You really think they would try and genocide *all* apathetic Millennials?
Wow. I never fully appreciated this joke until watching that '92 Howard Stern performance. Wow.
Very few film trilogies achieve the perfection of Park Chan-wook's Vengeance Trilogy. I'm way overdue on a rewatch for this.
I feel ya. I mean, I'll admit it: If this show isn't a porno then *I AIN'T INTER'STED*.
I think he's been nominated for a few things, but I don't think he won for this role. Of course, he should've been nominated. One of my favorite actors.
The lack of questions about his X-Files character is unforgivable, one of the best performances in the entire series.
…I can't tell if this is a joke.
Bjork's VESPERTINE and Morrissey's VAUXHALL & I are phenomenal albums in their own right, but due to historical accident and behaviorism, they are inextricably associated with any kind of academic studying or reading. They put me in an introspective-yet-directed learning zone when I'm having to learn something new,…
"And Maya Rudolph completes the group, playing Anita, Mark’s ex-boyfriend…"
Check out his new show on PBS, "Bush on Bush (Consensually I Swear)".
Talking specifically about Circus clowns (and not the more general Joker or Jester archetype that's been around for ages): Didn't circus clowns dress and act and put on make-up in the way they do because they wanted the people in the audience furthest away to be able to see them? That's my understanding.
Yeah, the ghost of Wilder can still be felt on Ultra and Playing the Angel (which I love, along with some of Exciter), but the last 2 albums… ugh.