If you're thinking of the Love Conquers All Edition, the producer-edited 94 minute version that they played on television, you may have a point.

I'm not a big fan of Blade Runner in any form, Brazil was damn good before the director's cut, although certainly enhanced, and I didn't like Redux. Dark City has the distinction for me of having a theatrical cut that I barely finished but a Director's Cut that has become one of my favorite movies.

Heaven is For Real streamlines that conceit by making it the title.

His story is a sad one. A moderately popular stand-up comedian in Australia, plucked from his sketch show to appear in the crime drama Chopper. He's absolutely fantastic, a devilishly charismatic and nuanced portrayal of a real-life criminal. Hollywood decides to make a man out of him, and it's been cops and commandos…

If he liked the music despite being a rich white kid would he be appropriating it too? Actually just make it easy on me and give me a list of music I'm allowed to like, dislike, and music I have to pretend doesn't exist.

What are you insinuating about Batman's relationship with Robin?

The only director's cut I've seen that not only enhances the film, but saves it from being a flaming wreck.

Yes I have, I just needed to replace my copy. Haven't read any of his other work, but I might not have time as of yet; I'm being peer pressured into reading Gone Girl.

The Rover (or, as I like to call it, Sad Max ) : Great performances by Guy Pearce and Robert Pattinson(!), and the cinematography and atmosphere were handled expertly. Unfortunately the plot was pretty repetitive and didn't build to a satisfying emotional or thematic finish.

The problem I had with the film is that it's a SparkNotes version of his full-length, very good book, which I'm sure you would enjoy. The movie is a highlight reel with a fixation on Scahill himself that never really digs below the surface of the many issues he brings to light. Seriously check out the book, of the…