burnermcanonymousface
burnermcanonymousface
burnermcanonymousface

See if you can find a single photograph of her or the other writers (other than Silberman, who Olivia brought onto the project) at the premiere. Ask yourself why a fourth place writer would be doing all the press when Sarah and Emily’s script was on the blacklist and Fogel is a high profile director? Then ask yourself

Why would anyone make up something so obscure and specific. If I’m lying I ought to be in a mental institution.

You won’t find it online as it’s not public knowledge, but it’s widely known and openly talked about within the industry. The WGA actually fined Annapurna for how the producers had behaved (preventing the writers from seeing the movie is a violation of Guild rules). In some instances there have been lies told to

She didn’t write it, and she only directed it because the woman who DID write it was fired as director during pre-production so Olivia could be gift wrapped a movie. That writer/director was then shut out of doing press or attending the premiere for her own movie, while Wilde makes sure to simultaneously never mention

Reposting this:

Olivia Wilde likes nothing more than invoking feminism to excuse her mistreatment of other women. Pretending it’s somehow a feminist act to sleazily defame a dead journalist is just the latest example.

This was stuck in the grays in the other article. May as well post it here in the hopes someone sees it.

Olivia Wilde likes nothing more than invoking feminism to excuse her mistreatment of other women. Pretending it’s somehow a feminist act to sleazily defame a dead journalist is just the latest example.

Olivia Wilde likes nothing more than invoking feminism to excuse her mistreatment of other women. Pretending it’s somehow a feminist act to sleazily defame a dead journalist is just the latest example.