I know it’s probably stupid to judge the quality of animation from looking at a still frame, but sweet Jesus, Stew Pickles looks like he’s about to climb out of that header image and kill us all.

I have no idea why, but I was absolutely stunned to find that this is the first time David Thewlis has been in a Neil Gaiman adaptation. It makes no sense - I mean, how many Neil Gaiman adaptations have there even been? Yet I feel like the world would make more sense if there had been like a dozen high-profile ones…

“All the while, the film answers in great detail questions it’s difficult to imagine anyone has ever asked about __________________________.”

As others have already weighed in on, Keanu is the Devil’s advocate, i.e. the lawyer who belongs to the Devil. That the Devil himself is, in this case, also a lawyer is just a happy coincidence.

As others have already weighed in on, Keanu is the Devil’s advocate, i.e. the lawyer who belongs to the Devil. That the Devil himself is, in this case, also a lawyer is just a happy coincidence.

Oh, absolutely. There’s nothing wrong with Nate’s broishness (or Behrad’s laid-back stoner energy), but it can’t save an idea from itself when said idea exists on the wrong side of the “gloriously silly”/“just plain silly” divide that this show usually navigates so well. As opposed to the football thing, I actually…

Last episode, I congratulated Legends on acknowledging that they’d been having problems making Mick feel like part of the team and addressing it. I may have to rescind those congratulations, depending on how long it takes him to find Sara and get back to the rest of the crew. (Since he has the Waverider, and [I hope]…

Last episode, I congratulated Legends on acknowledging that they’d been having problems making Mick feel like part of the team and addressing it. I may have to rescind those congratulations, depending on how long it takes him to find Sara and get back to the rest of the crew. (Since he has the Waverider, and [I hope]…

GIVE US SPACE CABBIE, YOU COWARDS.

Space Cabbie shout-out! I will now spend the rest of the season foolishly hoping it was foreshadowing and not just an Easter egg, then deem the entire series a failure when my personal hopes don’t come into play on-screen! (I read the WandaVision discourse. This is how it works now.)

No offense to Olivia Swann, who had some AMAZING moments last season, but I felt Astra’s absence was the key to why I enjoyed this episode so much. All too often over the last two seasons, the show has felt less like Legends of Tomorrow, than like a bonus season of Constantine guest-starring some randos on a time…

Lot of complaints about how little the show draws from actual DC lore anymore, lots of possible reasons as to why, but hear me now, Berlanti & Co: If you don’t center at least one episode this season around Space Cabbie, I will be MOST displeased.

Can’t argue that Legends only became one of the best shows on TV when it pivoted into full-on action comedy, but I would suggest that, from “Raiders of the Lost Art” on, Season 2 proved that it actually had a pretty good handle on what it could be if it had been content to just stay “a sci-fi superhero show with…