I enjoyed this episode and I really like Charlie Cox. I can't help feeling that this show owes a pretty big debt to Arrow's growing pains, though. I don't know if the show would have been this strong right off the bat if Arrow hadn't been around beforehand to clear a path.

Ironically, that person will have to explain how they received the canceraids by bragging about being "First!" on an article comment thread.

That old men marrying very young is the reason there are still 6 real sons of Civil War veterans hanging around.

"What Don't I Know: The Thea Queen Story" by Thea Queen

*Runs off to get a bunch of Walk the Moon songs*

The best line ever given to The Doctor was 11's "Nine hundred years of time and space and I've never met anyone who wasn't important before."

I can see your point and the "no matter what" was partial hyperbolic since we don't actually know if we'll see Jimmy/Saul in his post BB days more. I guess the real question is what counts as winning for Jimmy/Saul?
I will say that I find the idea of following a lose/lose situation interesting just because I'd like to…

I hope it does. Even if it's just little pieces of his Omaha life (or whatever happens to him) I think it would be a great way to bookend maybe season two or three (TV Gods willing).

I think the important part of Better Call Saul is not that Jimmy is becoming Saul, it's that no matter what he does, Jimmy/Saul will loose in the end. No matter how hard he works, the cons he plays, and his triumphs, he still ends up in that Cinnabun in Omaha. This is not a story about transformation. It's a story…

Bottom line: I just want to keep Enver Gjokaj on my tv on a weekly basis.

Not that you're wrong about that scene but I find it odd that this is the scene everyone mentions when the more threatening scene is when Wayne kicks the bedroom door down claiming "there will be no locks between us." As a kid I found the bedroom scene way more threatening than the drag her back scene even though it's…

Here's the thing, though: she's not being greedy. She's owed that money. It's part of her dowry, which is both her inheritance and the back pay for being stuck living as her brother's servant. It doesn't matter if Wayne has enough money to support them both, that money from her brother is her birthright.

This is one of the reasons I like The Quiet Man so much: Maureen O'Hara will not be silent about the things she deserves. She's not being greedy, she's fighting for what's rightfully hers. It's the only real claim she can make on a legacy, time period, and culture (portrayed in the film, not necessarily real life…

From the description I was wondering if maybe the director meant the "supernatural forces" seen in the film to stand for the things that the people of Salem couldn't explain in a rational way at that time. So, instead of seeing people explain being sick as Goody Proctor sending her spirit to attack them (i.e.…

"Bunnies aren't just cute like everybody supposes! They've got them hoppy legs and twitchy little noses! And what's with all the carrots? What do they need such good eyesight for anyways?"

I just want someone to make The Talisman.

That's exactly why I was happy that Joe Johnston got to direct the first Captain America film. The film had The Rocketeer all over it.

The Rocketeer is my brother's favorite film, to the point where I associate anything related to the film with him. I was about to rage until I saw it was Will Harris and he just wanted a sequel.
Anything associated with The Rocketeer really needs the art deco design elements to match, though. I don't know that I'd…

Just like the gypsy woman said!

Yeah, I was going to give this a chance anyway and then that line made it a sure thing.